New World Disorders

UPDATE (9 October): And now welcoming Jairus Grove!


Old But Not Wise

We are almost four years old. Four! And like any unnatural creature, we require the lifeblood of others to survive. And the odd bit of cosmetics for our decaying visage. Thus there is a new look, and a joyous bundle of new residents to introduce. Those that have visited with us before are already featured on that there sidebar, and will be joined by the rest as posts tumble forth.

Please be upstanding in your welcome for the following chumrades:

  • Charmaine Chua is a Ph.D. Candidate at the University of Minnesota, where she toils over critical political economy, postcolonial theory, logistics, and the international division of labor. In the next year, she will be conducting field research with activists and maritime workers in Long Beach, Singapore, and on a 90,000 ton container ship traveling from Los Angeles to Taiwan. She plans to climb containers for sport in between interviews.
  • Jairus Victor Grove teaches the future at the University of Hawai’i at Manoa. Receiving his PhD from John Hopkins, his work has since encompassed cybernetics, drone war, materialism (the new kind), improvised explosive devices, and ecology, all by way of political theory. There are ways to leverage contemporary technologies in order to hear his voice and see his face.
  • Laleh Khalili teaches and researches Middle East politics at the School of Oriental and African Studies. Her latest book is Time In The Shadows: Confinement in Counterinsurgencies, which last year also happened to win both the Susan Strange best book prize from BISA and the International Political Sociology best book prize at ISA. You can also follow her intellectual adventures in the politics of transport infrastructure at The Gamming.

Dr Schwarz, I Presume?

And so, after some delay due to storm, and just a month after The Disorder Of Things turned three, our own Elke was closely quizzed by Professors Patrick Hayden and Chris Brown. The cause? The defence of her doctoral thesis: The Biopolitical Condition: Rethinking the Ethics of Political Violence in Life-Politics. Arendt, Foucault, and drones. Now passed, certified, set free. Without corrections. Henceforth, Dr Schwarz.

Elke Foucault

Not actually Elke.

Teach It, And They Will Come

1960s Teach In

As another term approaches its zenith, we at The Disorder engage in a novel public service: making available a range of our module reading lists. Ready-made bibliographies, crib-sheets, self-help guides, or just objects of curiosity, to do with as you will. We have focused on our more specialised courses, on the assumption that there is a relative dearth of taught programmes on these issues, or taught from these perspectives. Most of the readings remain inaccessible online, although there are libraries still in existence where they may be found. You will also miss out on our great personal charms. Nevertheless, enjoy.

Just click on the titles for the full PDFs. May a thousand ideas bloom!


Joe (Lecturer in International Relations, City University)

Myths and Mysteries in World Politics (co-taught with Aggie Hirst and Amin Samman): This is a ten-week course that runs in the first term and is compulsory for all our undergraduate students. The idea behind it is that we wanted to provide an introduction to “theory” that not only avoided the numerous “isms” but which also harnessed the students’ interest in politics. So, the course is organised around key ideas in politics and we push students to think philosophically about what world politics is, as well as how they are already engaged in it. We hope to develop a critical sensibility by getting students to realise how much they already know, or think they know, about world politics and then encouraging them to look more deeply – hence the “Myths and Mysteries” title. The course is structured in three parts: there’s an initial week where we talk about what “politics” means and ask students to consider their own placement in the political world (this is also the topic of their first essay), then we cover “Power”, “Ethics”, “Violence” and “Law” as big conceptual ideas before turning to a section that looks at the institutions of world politics (broadly conceived), including “Empire”, “Capitalism”, “The State”, “Money” and “History”. In the end, the primary hope is to build intellectual skills – reading, writing, thinking – and introduce them to big ideas in politics rather than indoctrinate them in disciplinary debates.

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If I Was Crooked Timber, I’d Demand A Recount…

Disordered Ducks

Despite our justified renunciation of audit culture and academic hierarchy, we cannot not acknowledge the receipt tonight of OAIS (Outstanding Achievement in International Studies Weblogging) awards for both categories in which we were entered: best individual blog post (for John Hobson’s guest post on race and Eurocentrism) and for best group blog. How we won out over Cohen, Green and Wood on sexual violence and the Human Security Report will remain one of the great mysteries of democracy (seriously, go read), but we’re grateful nevertheless. Shout-outs too to Wronging Rights and Justice In Conflict, unjustly neglected.

May the stale halls of established academia shake with the news of our collective arrival.

Bluster By The Bay, ISA 2013 Edition

Academic DuckNext week, the massed ranks of global IR will descend on San Francisco Bay. There will be congregation, dispute, commiseration, boorishness, ingratiation, laughter, inebriation and the occasional sparkling insight. There will also be the first ever International Studies Blogging Reception, co-constituted by Sage and Duck Of Minerva. It will be on the Thursday, in Yosemite A, at 7.30pm. There will be prizes (we were nominated for some) and some speechifying, and also drinks. So come to that, do.

We’ll also be doing various turns of our own. The list is a bit long (we’re clearly an over-active bunch), but we’re on panels with names like ‘Advancing Post-Colonial Approaches to World Politics’, ‘Inquiry as Invention: Bringing Stories to Tell’ and ‘Vulnerability and Ethics in Global Politics’. So Ctrl-F us in the programme and say hi afters. We’ll also be doing our usual ‘What We Talked About At ISA’ thing, so there’s really no danger of missing out on our assembled wit/wisdom. Hope to see some or many of you there, and don’t forget Megan MacKenzie’s ISA guide. The advice is pitched at grad students, but is pretty sound all round. That said, rules are also for the breaking, so don’t forget to enjoy it.

In Praise of Question Marks: Reflections on ‘Critical Methodologies: Narrative Voice and the Writing of the Political – The Limits of Language’

Jennifer RigganThe sixth post on critical methodologies and narrative, by Jennifer Riggan. Jennifer is an Assistant Professor of International Studies in the Department of Historical and Political Studies at Arcadia University, where she began teaching in 2007.  She holds a Ph.D. from the Education, Culture and Society program at the University of Pennsylvania, where she received training in political and educational anthropology and African Studies. Her ethnographic research addresses a variety of issues including nationalism, citizenship, state formation, militarism, development, and education. She has published on the changing relationship between citizenship and nationalism and on the de-coupling of the nation and the state. She is currently working on a project entitled The Teacher State: Militarization and the Reeducation of the Nation in Eritrea which explores the role of teachers in state-making in the east African nation of EritreaThis research has been funded by a Fulbright research fellowship, a Social Science Research Council International Dissertation Field Research Fellowship and a Spencer/National Academy of Education Postdoctoral Fellowship. Dr. Riggan earned a B.A. in English from Trinity College in 1992 and served as a Peace Corps volunteer in Eritrea from 1995 to 1997.


Alienation

I show up at the workshop on October 26th, not quite sure what to expect. I have gone through the ritual preparations for a conference. I have crafted a carefully cultivated appearance—professional, but not formal attire. Light makeup, hair blown dry, hopefully neat but not overly coifed. Glancing around the room, I’d say many of us have made the same preparations. This is a conference. We all know how to perform ourselves for this venue. The ritual is familiar to us. Notebooks at the ready. Cups of coffee in our grips. A firm handshake of greeting when we meet someone. A socially acceptable hug or kiss if we know someone well. Small talk about our institutions, our research, our teaching. Occasionally our children make a brief appearance in the conversation. When we sit down to introduce ourselves, my voice emerges from my mouth, confident and assertive. I hear myself speak and I don’t recognise the sound, even less the tone. How certain this person sounds, I think, I could be convinced by this person.

For me, the ritual is essential to make me believe in the performance. After all, I have no idea why I’m here and I assume, as usual, that some mistake was made when they invited me. Do they really know who I am? The preparatory rituals, the carefully calibrated appearance, the performance of being academic acts as a talisman against someone pointing the finger at you and crying, “imposter!” I say it to myself all the time. But in an odd form of ritual alchemy, I become what I perform. I fake it until I make it and then I actually believe in this ‘I’ that I barely recognized a moment before. I have become the performance. But when I get lost in my performance, where have I actually gone?

Question Marks

We are here to talk about stories. Some of us tell stories. Some of us make arguments about stories. Stories, like academic rituals, are performances. Are they any less alienating than the ritualization of self? The most honest of us raise questions about stories or tell stories that ask questions. Himadeep Muppidi’s poignant and simple assertion, “empire tells amazing stories,” has stayed with me since that day like a song whose words you can’t get out of your head. We are all penetrated by the empire’s stories. They make us cry and fill us with pride or righteous indignation. They have answers. But how do we tell stories that perform less and question more? This is hard to do in a world, and a profession, that prefers periods or exclamation points to question marks. Our language limits us. What is the point of a question without an answer? What do we become in the absence of our performances of certainty?

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