…(drum kick)… Yet another new face and mind for The Disorder Of Things. A warm blogospheric welcome to Antoine Bousquet (that’s Dr Bousquet to you), Lecturer in International Politics at Birkbeck. Best known as the author of The Scientific Way Of Warfare: Order and Chaos on the Battlefields of Modernity (
due for review here shortly), Antoine has also published on complexity theory and the science/practice of war more generally.
As the military intervention in Libya enters its fourth month of operations, the tensions within the coalition of NATO countries and partners are perceptibly growing with the lack of any tangible progress towards a resolution of the crisis and the recent reporting of civilian casualties. Without prejudging of the final outcome, one cannot help but see in these developments a further echo between the present war – sorry, intervention – and the Kosovo conflict of 1999. Admittedly this time mandated by a UN Security Council resolution, the action in Libya (a.k.a. Operation Unified Protector) is indeed the latest practical exercise of the doctrine of humanitarian intervention, now encapsulated within the wider principle of the responsibility to protect (R2P). Many of the issues and debates raised by that original intervention thus remain as relevant today as they did then.
Although much attention has been focused on the competing claims of universal human rights and inalienable state sovereignty, I want to suggest here that any intervention proposing to act in the name of the former cannot be assessed solely in terms of the inherent merit of such a venture but must just as importantly be examined in view of the means deployed to attain the stated ends. Indeed a marked feature of humanitarian interventions of which Libya is merely the latest instantiation has been the particular form typically taken by military operations, namely that of “riskless” or “zero-casualty” war.
Friend, former Liberty colleague and Bad Reputation scriber Sarah Jackson drew my attention to a new campaign by End Violence Against Women aimed at men. That was their video. Thus far 188 people (hopefully mainly men) ‘agree’ on Facebook (as the campaign asks them to) that ‘Enough Is Enough’. As Sarah notes, this is the latest in a series of campaigns addressing men directly. They seem a direct response to that most common of feminist points about rape, namely that victims/survivors are not to blame and the focus should not be on them for what they wear, what they drink or how they express themselves but on the men who rape.
Obviously, consciousness-raising for men is necessary in all kinds of ways, and will be for at least as long as supposedly intelligent discussions continue to be dominated by pernicious cop-outs and questionable analysis. Any funding and attention to rape prevention is to be encouraged and supported. Let’s take that as read. But these campaigns are intended to be tools for advancing rape awareness and anti-rape politics, which makes it worth asking what kinds of awareness and politics they promote. How is it that they seek to recast ideas of appropriate manliness?
Mostly garlanded by images poached from Winter Is Coming, Bitches. Also, *spoiler alert*. And now subject to discussion in a critical post by Charli Carpenter over at Duck Of Minerva.
At first sight, Game Of Thrones offers something rather different to the standard fantasy fare. Where Lord Of The Rings and its ilk deal in arch dialogue and grand quests, it provides a more gritty and twisted landscape, peopled with dwarves, bastards, spoilt brats, noblewomen who still breast-feed their near-pubescent sons, eunuchs, exiled criminals and incestuous twins. In one conversation, Baelish and Varys even discuss a Lord who enjoys sex with beautiful cadavers (fresh ones only). A fantasy not only of palaces and mystical objects, but also of the gutter.
There is a near-scandalous thrill to this aesthetic realism, especially when measured alongside the allegoral formality of The Chronicles Of Narnia or the cinematic marathons derived from Tolkien’s high Toryism. Where those source materials and corporate cinema required that sexuality be wrapped in chaste folds and circumvented as the higher union of pure love, Game Of Thrones can indulge lust, rutting and the explicit mention of rape. There’s even talk of homosexuality (although not for any of the linchpin characters with whom we are expected to identify). Bared breasts are the order of the day. Childhood tales filtered by HBO.
But this apparent radicality doesn’t go very deep, and in significant ways covers for a narrative saturated with race-thought and misogyny. Continue reading
Yes, this is more comment on the New College, a.k.a. Grayling Hall, a.k.a. Grayling’s Folly, a.k.a. North Oxford in Bedford Square (NOBS), a.k.a. The Ultimate Scab University.
It won’t have escaped your notice that there has been a flurry of disgust, disbelief, protest and rage at the announcement of the New College of the Humanities (an aside: ‘of the’ Humanities? Why not ‘for the’ Humanities?). There have also been a number of responses that pretty much add up to ‘meh': to wit, there are some bad things, but also some good things about Grayling’s Folly. And then there has been some welcoming of this project, and its ‘chutzpah’. Since we are in a downward vortex of vanishing funding and academic status, why not expand where we can? And why damn the entrepreneurial? As Brian Leiter puts it:
NCH is just the natural continuation of the elimination of 75% of government funding for higher education and 800% increases in tuition in the space of a few years. If the Brits can’t even keep the Tories out of office, and if their party of the Left is now in bed with the Neoliberals, it’s really hard to see why one should think “petitioning” the government for more government funding for higher ed will produce any results. The battle to be won is at the polls, and NCH is just a symptom of the battle already lost.
All this makes me think it’s worth clarifying the case against, and the potential mitigating factors. Continue reading