The third post in our symposium on Cynthia Weber’s Queer International Relations: Sovereignty, Sexuality and the Will to Knowledge comes to us from Antke Engel. You can read Cynthia’s introductory post and responses to it here.
Antke Engel is director of the Institute for Queer Theory in Berlin, a site where academic debate meets political activism and artistic/cultural practice. She received her Ph.D. in Philosophy at Potsdam University and works as an independent scholar in the fields of queer, feminist and poststructuralist theory, political philosophy and visual cultural studies. She has held visiting professorships at Hamburg University (2003/2005), Vienna University (2011), and Alice Salomon University Berlin (2016), as well as a research fellowship at the Institute for Cultural Inquiry Berlin (2007-2009). She has published numerous essays (some of them available at e-flux journal) and two monographs, Wider die Eindeutigkeit (2002) and Bilder von Sexualität und Ökonomie (2009). She has also co-edited Global Justice and Desire: Queering Economy (Routledge 2015) and Hegemony and Heteronormativity: Revisiting ‘The Political’ in Queer Politics (Ashgate 2011).
Reading Cynthia Weber’s Queer International Relations has been a great pleasure for me, since I strongly agree with her desire expressed in the introduction and elaborated in the last part of the book to carve out a space for plural logoi in queer theory as well as political thinking and international relations. Plural logoi depend on the ability to uphold the simultaneity of and/or (rather than either/or) in understanding social realities as social complexities. Gender, for example, does not necessarily follow the pattern of either female or male, but might come along as female and/or male. You might like to call this transgender; yet, if you prefer to avoid another label (which would, anyway, only return to an either/logic – either female or male or trans), you would instead claim simultaneity or undecidability: ‘both either one thing or another or possibly another while…simultaneously…one thing and another and possibly another’ (196). For Weber this kind of thinking is what undermines the illusionary figure of ‘sovereign man’, which still successfully claims authority in international relations as the basis of all politics.
The argument is by far not as abstract as it may sound. Weber extracts it from a concrete study of figurations of homosexuality in recent political discourses. Her thesis is that two unacknowledged figures, namely the ‘perverse’ and the ‘normal homosexual’ underlie these discourses. These figures matter not only on the level of sexual politics (that is, the way gendered and sexualized subjectivities as well as intimate relations are socially organized, state regulated, and politically contested), but provide the foil against which ‘sovereign man’ legitimates himself as the guarantor of statecraft and international governance. The argument gets even more thrilling when she argues that currently a third figure turns up on the hegemonic political floor, a figure which is simultaneously perverse and normal. The reader gets to know this figure by accompanying Weber in her subtle and most convincing reading of the phenomenon of Conchita Wurst (Tom Neuwirth) winning the Eurovision Song Contest in 2014, which in its aftermath provoked some of the most interesting, highly contradictory reactions by European journalists, politicians and religious representatives.