The Hague campus of Leiden University today hosted the “Final Reflections” symposium of the International Criminal Tribunal for the former Yugoslavia (ICTY). Everyone from the institution showed up: current and past presidents, current and past judges as well as ad hoc judges, current and past prosecutors, media officers and archivists, plus a bunch of guests—gender advisors, professors, judges from other courts, and so on. Even the president of the International Criminal Court (ICC) spoke at the last panel. This was not a mere stock-taking exercise “between a variety of stakeholders,” says the agenda. Rather, it was an opportunity for said stakeholders to reflect on the ICTY’s legacy, ideally via a set of “short but emphatic statement[s] on the importance of international criminal courts and tribunals – particularly in today’s political climate.”
The attention lavished on sexual violence in conflict last week was in many ways unprecedented. As well as convening the largest ever gathering of officials, NGOs and other experts for the Global Summit on Ending Sexual Violence in Conflict, co-chairs William Hague (Foreign Secretary of the United Kingdom of Great Britain and Northern Ireland) and Angelina Jolie (Special Envoy of the United Nations High Commissioner on Refugees) also generated very many pages – both print and digital – of commentary. In some myopic quarters, that achievement was in itself a distraction from the really important politics of blossoming conflict in Iraq. Such views should remind us that there are still those who insist on seeing gender violence as marginal to international peace and security. Worthy, yes, “no doubt important”, obviously a cause for concern, and so on, but naturally not the real deal.
Since the Summit’s close on Friday, there have also been criticisms of a different sort. A protest on the first day drew attention to the asylum and refugee policies of Her Majesty’s Government, and the ways in which survivors of sexual violence were being mistreated on the British mainland. The Foreign Office raised awareness in part through one-dimensional stories of crazy monsters in the hinterlands of barbarism. The “weapon of war” framework was ubiquitous, but no less problematic for that (see also). Although the Summit made space for youth delegates, UN entities, amateur hackers, foreign ministers, survivors, doctors, lawyers, celebrities, military officers and the odd NGO, academics (and our directly relevant research) were barely at the table. Some myths were therefore recycled. Delegates insisted on using rape survivors as props for their own journeys of self-discovery. I met a women in Panzi Hospital and what she told me broke my heart, etcetera. Some national representatives seemed only just to have discovered the existence of United Nations Security Council Resolution 1325, which urged the participation of women in military and political settings at all levels. That was, um, 14 years ago. John Kerry, amongst others, appeared to believe that rape in war was not yet illegal, but that we could make it so if we really put our minds to it.
The Fringe events were themselves a source of considerable disappointment. Angelina opened proceedings by assuring us that “our” institutions protected us from rape, and prosecuted it ably when it did occur, whilst “they” (we all know who) need our help because they are confined to refugee camps. There was a staged ‘trial’ of the afore-mentioned Resolution 1325, in which an all-white panel of lawyers and faux-judges, including Cherie Booth QC, took the testimony of African witnesses. You could buy various goods made by (or meant to help) rape survivors in the “bustling” Fringe marketplace, and the official programme recommended that you “treat yourself” by doing so. All of this (including the less appalling and more considered exhibits) seemed removed from the set piece debates upstairs. If the Foreign Secretary really did refuse to meet with four Nobel Laureates – some of whom are themselves survivors of political rape – then clearly civil society (that vague but essential category) was being neglected.
A guest post from Amy Niang on the contours of ‘international community’, following previous interventions from Siba Grovogui in relation to Libya, Robbie on provinciality in International Relations and John M. Hobson et al. on Eurocentrism in international political theory. Amy teaches international relations at the University of the Witwatersrand and she is affiliated with the Centre of Africa’s International Relations (CAIR). She gained her PhD from the University of Edinburgh in 2011. She has taught International Relations, political theory and African history in South Africa, Scotland and Japan. Her research interests are in the history of state formation, political theory and Africa’s international relations, and she has commented regularly on democracy, civil society and Western intervention in Africa.
The Syria crisis has sparked many debates in scholarly and media circles, not least around the way in which the ‘international community’ should exercise its responsibility to Syrians and to the protection of human rights, particularly in the aftermath of the alleged use of chemical weapons on Syrian civilians. The lack of consensus on the most appropriate response, within the limits of international law, raised a number of questions.
There were times when we were told that a military attack was imminent, others when cautious voices against a military campaign seemed to have the moral upper hand. In the days following the discovery of the use of chemical weapons, the U.S. made public its position on the question, based on the conviction that the Syrian government was responsible. In the general uproar that that ensued, the recent examples of Afghanistan and Iraq guided many deliberations on the wisdom of another humanitarian intervention. Like Barack Obama, many commentators believe in the existence of a red line that delineates the contours of a hypothetical morality, its alleged violation by Syria warranted punishment if the red line was to be pushed back. Many others however warned against acting on an impulse of outrage, Libya is a vivid example of how an ill-conceived intervention can be more damaging than the situation it originally sought to fix.
From the polarized debates, two declarations in particular piqued my interest. The first one was Barack Obama’s Address to the Nation of September 10th, 2013. The second one was the Declaration of the Forum for Former African Heads of State and Government (the Africa Forum) on September 5th, 2013. The first one was as usual widely followed in America and beyond. The second went unnoticed partly because it was of little news worthiness for commentators of world affairs, partly because no one expected Africans to formulate any coherent view on the Syrian question. The first was delivered as an authoritative pronouncement on how a putative ‘we’ (i.e. the international community) should interpret international law and what shape its moral responsibility – here merely one embodiment of the West – should be engaged. Continue reading
You got a song you wanna sing for me?
Sing a song, singing man.
Sing another song, singing man.
Sing a song for me.
One for the pressing, two for the cross,
Three for the blessing, four for the loss.
Kid holdin’ a weapon, walk like a corpse
In the face of transgression, military issue Kalash
Nikova or machete or a pitchfork.
He killing ’cause he feel he got nothin’ to live for
In a war taking heads for men like Charles Taylor
And never seen the undisclosed foreign arms dealer.
Thirteen-year-old killer, he look thirty-five,
He changed his name to Little No-Man-Survive.
When he smoke that leaf shorty believe he can fly.
He loot and terrorize and shoot between the eyes.
Who to blame? Its a shame the youth was demonized.
Wishing he could rearrange the truth to see the lies
And he wouldn’t have to raise his barrel to target you,
His heart can’t get through the years of scar tissue.
-“Singing Man“, The Roots
60 million people and counting have now heard about Invisible Children’s “Kony 2012“. Criticism of the group has been substantial and judicious. The group has defended themselves. Humorous memes are proliferating. Over-exposure has already begun to create awareness fatigue. Yet there is a serious issue largely unaddressed: the most troubling elements of the “Kony 2012” phenomenon are not unique to Invisible Children, but reflect serious moral and political problems with the pursuit of international criminal justice, and in particular the mission and politics of the International Criminal Court and their controversial prosecutor, Luis Moreno-Ocampo.
To put it bluntly: while Jason Russell addresses his audience in the same way he addresses his five-year-old son Gavin, which is clearly inappropriate given the complexity of the issues he’s asking us to consider, Russell’s framing of the evil of Joseph Kony and “our” responsibility to stop him is importantly similar to the narrative of international criminal law, and Ocampo in particular. We should not be too quick to denounce the moral idiocy of Russell as a personal failing – his sentimental and messianic film represents a revealing apotheosis rather than a transgressive break from our sense of international justice. There are unpleasant resonances between Russell and Ocampo – the ICC prosecutor has already praised the group, saying,
“They’re giving a voice to people who before no-one knew about and no-one cared about and I salute them.”
UPDATE (10 March): Material is coming thick and fast on #Kony2012, so I’m adding three recent interventions. The first is from Ismael Beah, he of child soldier fame, on CNN (apologies for the awful interviewer).
The second is from Adam Branch (who just has a book out on Uganda, war and intervention) on the wrongness, and also the irrelevance to Northern Ugandans, of Invisible Children:
My frustration with the group has largely reflected the concerns expressed so eloquently by those individuals who have been willing to bring the fury of Invisible Children’s true believers down upon themselves in order to point out what is wrong with this group’s approach: the warmongering, the self-indulgence, the commercialization, the reductive and one-sided story it tells, its portrayal of Africans as helpless children in need of rescue by white Americans, and the fact that civilians in Uganda and Central Africa may have to pay a steep price in their own lives so that a lot of young Americans can feel good about themselves, and a few can make good money. This, of course, is sickening, and I think that Kony 2012 is a case of Invisible Children having finally gone too far. They are now facing a backlash from people of conscience who refuse to abandon their capacity to think for themselves.
This IC campaign is a perfect example of how fund-sucking NGO’s survive. “Raising awareness” (as vapid an exercise as it is) on the level that IC does, costs money. Loads and loads of money. Someone has to pay for the executive staff, fancy offices, and well, that 30-minute grand-savior, self-crowning exercise in ego stroking—in HD—wasn’t free. In all this kerfuffle, I am afraid everyone is missing the true aim of IC’s brilliant marketing strategy. They are not selling justice, democracy, or restoration of anyone’s dignity. This is a self-aware machine that must continually find a reason to be relevant. They are, in actuality, selling themselves as the issue, as the subject, as the panacea for everything that ails me as the agency-devoid African. All I have to do is show up in my broken English, look pathetic and wanting. You, my dear social media savvy click-activist, will shed a tear, exhaust Facebook’s like button, mobilize your cadre of equally ill-uninformed netizens to throw money at the problem.
Cause, you know, that works so well in the first world.
Glenna Gordon‘s 2008 image of the Invisible Children founders in cod-Rambo pose with the Sudan People’s Liberation Army now defines the #Kony2012 backlash. Jason ‘Radical’ Russell – he who speaks excitedly of ‘war rooms’ – and his compatriots have thus far notched up 12 million-odd Vimeo hits and over 32 million YouTube hits with their 30-minute hymn to awareness, social media, atrocity prevention and youth power. A simulacrum of solidarity now not quite besieged, but at least peppered, by an array of critiques and counter-points, almost always from scholars and activists with their own well-established records of engagement and internationalism.
That backlash is now, predictably enough, giving rise to a counter-backlash from newly enlivened global citizens, and the predominant form taken by this response is itself instructive. Comment threads on posts like Mark’s consistently reveal a nascent activist consciousness which is hugely fragile, but also aggressive. Although many presumably did not know of Joseph Kony until this week (and in this minimal sense, #Kony2012 clearly ‘worked’), they are now so outraged at even the hint of complexity or counter-point that they denounce others as self-promoters, ignorami (ignoramuses?), complacent and/or complicit (by some unspecified metric) in human suffering. The juxtaposition is telling: the fresh anger and one-dimensional vigour of discovering atrocity and of being “empowered” (however vaguely) to end it is simply too appealing to withstand reasoned discussion. And so newly-minted ‘doers’ find themselves in the position of having to attack those old established ‘cynics’, Ugandans and Uganda hands among them, in whose very name they “won’t stop”. Say, at what point exactly did common humanity come to mean lecturing Ugandans that they were “ungrateful” and “negative” for pointing out that Museveni is not so nice either?
But what has been the content of this unbearable counter-critique? Continue reading
This is the fifth and last part in a series of posts from Siba Grovogui, Professor of International Relations and Political Theory at John Hopkins University. The first part is here; the second here; the third here; the fourth here. The series considers the character and dimensions of the tension between the African Union and ‘the West’ over interventions in Africa. As before, responsibility for visuals adheres solely to Pablo K.
It would be disingenuous to relate events in North Africa and the Middle East (or MENA) today without reference to the media. Here too, there are many possible angles to examine. I will focus on the institutional support that the media provide in shaping consensus in support of foreign policy. In this regard, so-called mainstream Western media and networks (BBC, CNN, Fox, RFI and the like) have played a significant role in generating domestic support for the Libyan campaign. The media find themselves in the contradictory positions of both providing sustenance to foreign policy rationales and reporting on government actions. In this role the media either wittingly or unwittingly assumed the position of justifying contradictory Western foreign policy aims while trying to satisfy the needs of their audiences (especially domestic constituencies and home governments) for information from the front. Consistently, the media often generate sympathy for foreign actors or entities that either support Western interests or have affinities for Western values.
This role is not without a cost, especially when foreign policy actions, including wars, fail to attain their objectives. When the outcome of foreign policy proves disastrous, Western media also have an inexhaustible capacity to either ignore their prior support for the underlying causes or to reposition themselves as mere commentators on events over which they had no control or could not prevent. Increasingly, these tendencies have spread around the world as evidenced in the techniques and styles that have propelled the Qatari-based Al Jazeera into prominence as key contender in the emergent game of production, circulation, and consumption of foreign policy-concordant images for their affective and ideological effects.
So it is not surprising that the backdrop and background scenarios for most reporting on the 2011 revolts in MENA are dimensions of Orientalism, of which they are many. But the most constant is one of autocratic ‘barbarism’. In this regard, the discourses and media techniques for creating and supporting sympathetic figures are just as constant (or invariable) as Western states rationales for intervention. The media-hyped stories of Oriental despotism that preceded Operation Desert Storm, when the US expelled Iraq from Kuwait, have provided the template. During that event, for instance, media feted their viewers with stories of invading Iraqi hordes storming through hospital only to disconnect incubators and let helpless infants die a slow death. These and many stories of heroic bids by US soldiers to prevent such barbarism were later discredited but not the other horrific stories which convinced US citizens of the need to wage war on Saddam Hussein’s occupying army. In the Libyan case today, one of the earlier images of the aura of impunity created by Gaddafi was that of a Libyan female lawyer who was allegedly raped by Gaddafi’s forces. There was also a reported event of military takeover of a hospital.
My friend and colleague Mark Kersten has been drawing my attention over the last weeks to a spate of stories about Libya in which it is claimed Gaddafi has been distributing Viagra as an inducement to sexual violence against ‘enemy’ civilian populations. Colum Lynch reported in late April that Ambassador Susan Rice had cited the use of Viagra and evidence of sexual violence during a meeting of the UN Security Council (although this itself is at least third hand – Lynch seems to have picked up the details from Reuters who were passed the information by a UN diplomat who was in the room). The story seems to have originated, or first surfaced, at The Daily Mail, which claimed “numerous reports” of Viagra use.
The testimony of Suleiman Refadi, an Ajdabiya surgeon, in this Al Jazeera piece is the closest thing to a direct claim that Viagra has been distributed to troops. But, as Lynch points out, Human Rights Watch followed up his allegations and say that Refadi had “no direct evidence”, which I assume means either that he himself hadn’t seen the Viagra and condoms, or that some had been found, but not in any pattern that would associate them with a strategy of war rape. Human Rights Watch have a number of reports and commentaries addressing rape in Libya, but do not seem to have found the Viagra claims credible enough to include. Now the International Criminal Court is investigating. Luis Moreno-Ocampo intimates that he has solid evidence for the claims and declares: “It’s like a machete…It’s new. Viagra is a tool of massive rape.”
That kind of blanket statement makes me suspicious. Reports are so far conflating (or not sufficiently distinguishing) two different claims: 1) that government forces are engaged in rape in Libya; and 2) that Viagra (and sometimes condoms) are handed out as an incentive or aid for that. Claim 1 is entirely plausible and there is already good evidence for it in the case of Libya. Elisabeth Jean Wood has done some important early work on the question of variation in wartime sexual violence and her early conclusions are that there are some contexts in which rape doesn’t occur in war. But the number of such cases is very small. Rape in war is overwhelmingly the norm. This should lead us to a number of questions about type, degree, form, causes and the exact sense in which we mean ‘tool’, ‘weapon’ and ‘strategy’. But reports of rape by soldiers are not in themselves at all surprising.
What is new is the second claim. Continue reading
If there is something in these utterances more than youthful inexperience, more than a lack of factual knowledge, what is it? Quite simply it is the desire – one might indeed say the need – in Western psychology to set Africa up as a foil to Europe, a place of negations at once remote and vaguely familiar in comparison with which Europe’s own state of spiritual grace will be manifest.
Chinua Achebe, ‘An Image of Africa’ (1978)
Sometimes it seems that we’re merely Constructions made out of yarn, paper & wood with threads rising from our toes and fingertips. We pretend to talk and act as though we were alive but actually we don’t have any choice in the matter. Some secret power directs us.
Evan S. Connell, The Diary Of A Rapist (1966)
1. Rape, Ultra-Violence and Beethoven
When we speak of men in feminism, we might speak generally or specifically, of properties of maleness and masculinity or of things done by particular men (and usually some combination of the two). What is at stake is the distinction between masculinity as a set of internal properties and as a set of relational, and hence contingent, ones. Although this can be taken as denying any substance at all to that category ‘man’, it is perhaps just as well to say that we all build our own subdivided orders of maleness – from men we know, knew, or think we are; from our salient models of true and false and ambiguous masculinity; from the postures and poses we take as appropriate towards them; and from the frames we adopt for dealing with variety, with all the space for the exemplar, the exception, the masquerade and the average that they bring.
The monstrous masculine is one such model, or rather a set of models united by family resemblance. An object of horror, the monstrous masculine is a repository for tropes that identify the hideous excesses and obscene pleasures of maleness. Channelling Barbara Creed (and some Sjoberg and Gentry), it is a set of tropes and themes in our imaginaries of social action, frequently evoking, among others, ideas of a limitless and aggressive sexuality, a cold and calculating self-regard and/or a submerged, if frequently actualised, hatred of women and Woman that borders on the instinctual. In accounts of wartime sexual violence, this figure of the rapacious warrior (usually African) comes to be represented in terms of the calculating soldier-strategist (who chooses rape as a hyper-efficient means to an accumulatory end); the angry soldier-rapist (expressing a deep desire and sexuality); or the habitual soldier-ritualist (enacting the memes and symbolic imperatives of a community, culture or even race).
Think of the figure of the unreason-laced psychopath rapist, whether in the version Joanna Bourke examines as the ‘rapacious degenerate’ or that which Susan Brownmiller addresses as the ‘police-blotter rapist’: “[t]he typical American perpetrator of forcible rape…little more than an aggressive, hostile youth who chooses to do violence to women”. Such protagonists are common in popular representations of rape. In A Clockwork Orange, Alex and his droogs prowl the streets and lanes of town and country, opportunistically submitting the unlucky to attacks driven by a relentless juvenile machismo. And in the scandalous Irréversible, rape is also the product of a subterranean drive. ‘Le Tenia’ does not even search his victim for money as an afterthought – his priorities are only to enact his spontaneous lust and be called ‘daddy’ as he does so.
The monstrous masculine unites conceptions and intimations of masculinity as pathology. This is the Real of a “terrifying dimension, as the primordial abyss which swallows everything, dissolving all identities”. Put otherwise, it embodies in its most psychoanalytic inflection the idea (following Nick Cave) that the desire to possess her is a wound.