*some extremely disturbing images ahead* (and some humorous deployments of Impressionism and Leonardo DiCaprio).
Two weeks ago, Karin Fierke presented a paper at our theory workshop on self-immolation as speech act (part of a forthcoming book entitled The Warden’s Dilemma: Self-Sacrifice, Agency and Emotion in Global Politics with Cambridge University Press). She focused principally on Thich Quang Duc, the South Vietnamese Buddhist monk who set himself alight and burned to death, silent and still, in Saigon in June of 1963, and on Norman Morrison, an American Quaker who copied Duc’s example in November 1965 by combusting his own flesh outside the Pentagon office of Robert McNamara, then the United States Secretary of Defence implementing Operation Rolling Thunder, the rain of fire which infamously unleashed a greater tonnage of bombs on Vietnams North and South than the total dispatched during the entirety of the Second World War.
This mimesis, an affinity not only of form but also of sacrificial politics, was cited as a mechanism for rupturing the symbolic order. Both Duc and Morrison engaged in a corporeal self-violence so forceful that it not only offended senses, but in fact extended a certain community. An act, substituting for speech, argument or manifesto, which forced itself on high politics and forged an international sensibility until that point lacking. One more contemporary dimension of that imitation and repetition is that many must have encountered the image the same way I did, which was via the front cover of Rage Against The Machine’s pugnacious, convulsively political eponymous debut in 1992. And not just the image, but a vague sense of the story imparted by sleeve notes (and lyrics today associated both with opposition to the media grip of Simon Cowell and with visions of the riotous encounter).
Self-immolation persists in a certain tradition of struggle, but the relevance of these themes – the body, sacrifice, the edifice of politics and protest, the circulation of images – has coalesced potently in the wake of recent events (on which more in a moment). Continue reading
A small cascade of Millennium-related news and IR from Elsewhere. First, our very own Nick was recently elected as Co-Editor (with Edmund H. Arghand and Maria Fotou) to oversee the journal for Volume 41 (2012-2013) on the basis of a conference proposal on ‘Materialism and World Politics’ (full CfP details forthcoming soon). Second, the Millennium blog has had a facelift (ongoing tweaks to be made to its façade), so go have a look.
Third, and perhaps most importantly, the Northedge Essay Competition is now open. So if you’re a post-graduate student (PhD or advanced Masters) in IR or cognate fields, and you have some exceptional work lying fallow, spruce it up and submit. The deadline is 30 January 2012, and the winning essay will appear in Millennium 41(1). Previous winners have been very good indeed.
Fifth, the journal’s social media tentacles are growing, so do the following thing on Twitter and the liking thing on Facebook, if you are of that bent. Finally, a reminder that Millennium‘s weekly Editorial Board meetings are open to all LSE postgraduates (MSc and PhD) who are engaged and interested. If you fit that description and for some reason aren’t already involved, do email the Editors for details.
Elsewhere, BISA’s Historical Sociology and IR Working Group also has a new look, and a particularly awesome and growing resources page. And there’s now an Occupy IR Theory blog and associated hashtag (#occupyirtheory, natch), which is worth both a virtual engagement and a flesh-world contribution. Similarly, if for any reason you are unaware of David Campbell’s blog on visual culture and international politics, rectify yourselves!
A guest post by Nathan Coombs, a doctoral student in Politics and International Relations at Royal Holloway. Nathan’s work focuses on the relationship between metaphysics and political ideology. Nathan is the author of ‘The Political Theology of Red Toryism’, published in the Journal of Political Ideologies, 16(1), February 2011, as well as a number of other papers. He is an also an Editor of the Journal of Critical Globalisation Studies, an open-access peer-reviewed academic journal which should be a stimulus to us all. Images by Pablo.
If there is a point of unity for strong (non-Keynesian) critics of neoclassical economics it is their shared rejection of modelling. This is not to say such authors shun all use of abstraction, idealisation, and quantisation in favour of just qualitative, empirical efforts at explanation. Rather, modelling is held out as a practice whereby mathematical attempts to grasp economic laws become unhinged from reality; where abstraction begets abstraction for its own sake. For example, in his famous methodological treatise, Economics and Reality, Tony Lawson firmly demarcates the form of abstraction he recommends for economics from the practice of modelling – placing stress on the point where: “it seems vital that I indicate why the procedure to which I refer does not at all reduce to the activities of the ‘modelling’ project in question.” (Lawson 1997, 227)
For different reasons converging to the same end, advocates of the most active strand of Marxian economics, working from the Temporal Single System Interpretation (or TSSI), are equally averse to modelling, associating it with simultaneous, equilibrium interpretations of Marx’s labour theory of value, diverging from the correct representation of the theory. Inside the pages of Andrew Kliman’s recent book, Reclaiming Marx’s “Capital”, the word ‘model’ only occurs negatively in association with what he argues are flawed abstractions of the theory from Okishio’s theorem through much political economy in the 20th century (Kliman 2007, 44, 48, 66, 101, 176). The idea that Marx’s Capital might itself be considered a theoretical model of the economy is out of the question.
What explains this resistance to modelling for critics of the status quo in economics?