The fourth commentary, and fifth post, on Nick and Alex Williams’ Inventing the Future, delivered by Aggie Hirst and Tom Houseman. Aggie is a Lecturer in International Politics at City University London. She works on issues relating to violence and international theory/philosophy, including war and wargaming, US foreign policy, Derrida, Nietzsche, and post-foundational ethics/politics. Tom is a Lecturer in International Politics at the University of Manchester, focusing on capitalism, development, and ideology. He is variously interested in (in no particular order) the politics of epistemology, apocalypticism, Adorno, international development, and concepts of science.
In a climate of successive defeats, missed opportunities and the consolidation (and even exacerbation) of unequal and exploitative social relations, there are few acts more thankless than turning the weapons of iconoclasm against those already waging a struggle against insurmountable odds. Inventing the Future seeks to rescue the Left from what its authors term ‘folk politics’: a commitment to horizontal, local, consensual and prefigurative forms of political action, which the authors claim result ultimately in impotence and irrelevance, aimlessness and lack of focus. In condemning a host of the post-68 Left’s most dearly held praxiological and ethical commitments, Srnicek and Williams wilfully risk aggravating and alienating those they seek to influence.
There will be many readers who will find their prescriptions – the revival of universalism, the aspiration to hegemony, the mobilisation of state power – outdated, odious and even obscene. And for good reason: the attack on ‘folk politics’ doesn’t end after the critique that opens the book. Instead, the sheer audacity of the authors’ wager – essentially that our only hope of defeating the Godzilla of neoliberal capitalism is the creation of an equally powerful Mechagodzilla capable of supplanting the former’s hegemony with its own – performs an ongoing rejection of a parochialism and modesty they see as having corrupted Leftist activism and academia. Like all iconoclasm, such a move is necessarily scandalous in response to the perceived sanctity of that at which it takes aim.
It is precisely this scandalous character of both the book and its precursor, the ‘Manifesto for an Accelerationist Politics’ (MAP), which goes some way to accounting for the attention the authors have generated across the Left. The book’s stated goals are both vast in scope and highly controversial, yet its tone is one of consistent and calm self-assuredness. The magnitude of the risks associated with the project – the casualties of automation (both human and environmental), the tyrannies of engineering consent, the violences of assuming the task of constructing people’s very identities, to point to just a few – would suffice to make most recoil in dread. The authors’ composed confidence in the face of such potential horror makes reading and responding to the seductions of such book a complex and disorientating task.