Are We at War? The Rhetoric of War in the Coronavirus Pandemic

The seventh contribution to our growing collection of writings on Covid-19 and this moment of crisis. Federica Caso is currently a teaching assistant at the University of Queensland, where she also completed her PhD in 2019. Her expertise is on militarisation and war memory in liberal societies. She also works on the politics of culture, art, and gender. Her most recent publication is titled “The Political Aesthetics of the Body of the Soldier in Pain” which features in Catherine Baker’s edited volume  Making War on Bodies.


In this pandemic, the war rhetoric has spread as fast as the coronavirus itself. Recently, US President Donald Trump has characterised himself as a wartime president. Hospitals are preparing for war and healthcare workers are heralded as the frontline soldiers in the war against COVID-19. Economists ask how the coronavirus war economy will change the world. Wartime terms such as shelter-in-place, panic-buying, and lockdown have entered our daily and most mundane conversations.

The language of war is so normalised that in a recent episode of the New York Times’ podcast The Daily, a medical doctor answers questions from US American children about the coronavirus using war metaphors. We have come to believe that these children, aged no more than 6 and raised in ‘peacetime’ and prosperity, naturally know about invasion, bombing, weapons, and strategic warfare. We have come to believe that this is the best language to teach them about life processes.

It is important to pay attention to the language that we use to describe the coronavirus pandemic because it determines how we respond to it.

The War Metaphor

This is not the first time that the language of war is stretched to contexts that are not legalistically wartimes. In the last fifty years, we have heard of the war of drugs, the war on poverty, the war on crime, and the war on plastic.

War is a powerful metaphor. It is an effective, immediate, and emotive tool to communicate urgency to the general public. It also conveys a sense of struggle and righteousness that can justify exceptional measures.

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Apocalypse Yesterday?

The first in a series of posts over the coming weeks on the Coronavirus crisis and its multiple aspects, contradictions and possible futures. They will be collected here. This first is from Paul David Beaumont, who is currently finalising his PhD dissertation, The Grammar of International Status Competition, at the Department of International Environmental and Development Studies at the Norwegian University of Life Sciences. Paul tweets @BeaumontPaul​ and his research is available to view on his Academia profile. See also his post from December 18, 2019 on Brexit Futures.


The corona crisis is not the beginning of the apocalypse but a symptom; we have been in the apocalypse for a while now. Akin to how the industrial revolution occurred over a far longer period than we normally associate with “revolutions”, apocalypses seldom occur overnight either. In this regard, humans have systematically misread the paradigmatic apocalypse scenario: the asteroid. Rather than wiping out humanity in one big bang, as Deep Impact would have it, it took decades for the mass extinctions to unfold. Similarly, even if COVID 19 does prompt mass deaths and/or societal collapse, if there are any historians still around to argue over the origins of our demise, they will be unlikely to pay much heed to the Corona outbreak itself.

Instead, I expect they will puzzle over a paradox that did not befall the dinosaurs. How did humans manage to create a society so technologically advanced that they could predict the apocalypse(s), develop the technology to stop it (them), yet adamantly and proudly refuse to do so?

With regards to humankind’s inability to halt climate change or the destruction of the world’s biodiversity, future historians will likely and rightly probably lean heavily on the collective dilemma to explain our failure to act. However, pandemic preparation is not a collective action problem for the state. States can prepare for pandemics without requiring all others to do so too, nor can other states necessarily free-ride from one state’s preparations.

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Lenin Lives! A Disorders Forum: Let’s Take a Look at What You Could Have Won!

This is the second part of a Disorders forum on Lenin Lives! Reimagining the Russian Revolution, 1917-2007 (Zero Books, 2017). For the rest of the forum, click here.


How far might Marxism be considered a genre of science – or rather ‘speculative’ – fiction? Speculative fiction, to borrow Judith Merril’s concise definition, refers to that form of writing ‘which makes use of the traditional “scientific method” (observation, hypothesis, experiment) to examine some postulated approximation of reality, by introducing a given set of changes – imaginary or inventive – into the common background of “known facts.”’ Or, to put it another way, people make history but not in circumstances of their own choosing: what might happen if the circumstances, or the choices, were different? For all those who cleave to the idea of October 1917 as the highest point yet reached of human emancipation, and not the genesis of the grey tyrannies that took the Russian revolution as their founding myth, the mode of speculative fiction is indispensable. The main reason for studying the degeneration of the Russian revolution is to imagine how it could have been different. It is for this reason, perhaps, that the best centennial treatment of the Revolution has come not from a historian or political scientist but a Speculative Fiction author: China Miéville’s magisterial October. Shorter in length, and necessarily narrower in scope, Philip Cunliffe’s Lenin Lives: Reimagining the Russian Revolution 1917-2017 is nonetheless to be commended for tackling the speculative mode dead on.

Lissitsky’s ‘Cloud Irons’, from the Architectural Review

Seizing counterfactual history back from the blimpish fantasies of the right, Cunliffe draws out the inherent speculative premise of any anti-Stalinist Left: the bad timeline hypothesis. As in Ray Bradbury’s ‘A Sound of Thunder’, and Robert Zemeckis’ Back to the Future II, we live in the bad timeline of modernity. At some point in the past things went badly wrong, skewing us into a world in which words such as ‘class’, ‘revolution’ or ‘justice’ have lost all meaning ‘ [p.6], ‘progress’ has become a taboo, and even capitalists have forgotten how to do their job of accumulation [p.12]. The point of divergence between our post-dystopian timeline and the world that should have been born, Cunliffe identifies as the failure of the Russian revolution in its early years to spread beyond its beyonds to the Western European core of the capitalist system.

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“The Ecological Indian” and the History of Environmental Ideas

A guest post from Philip Conway, a PhD candidate in the Department of International Politics at Aberystwyth University. His thesis is titled “The Historical Ontology of Environment: From the Unity of Nature to the Birth of Geopolitics.” He blogs at Circling Squares and micro-blogs @PhilipRConway.


Cosmological questioning

‘But what about indigenous cosmologies?’ This kind of question is becoming more and more common in debates in International Relations, human geography and other fields. Whether articulated in terms of decolonisation, worlding, ontology, lifeways, cosmopolitics or pluriversality (other terminologies are available), there is a strong and growing conviction that making space for modes of collective existence beyond, besides and despite the hegemonic naturalism of the West is a pressing intellectual and political priority.

Indeed, this is a question that I am asked (and ask myself) on a regular basis. However, it is a more conceptually, ethically and politically complicated question than it may first appear. This essay explores some of these complications in relation to the research project that I am currently embarked upon – namely, a history of how ‘environment’ became a conceptual commonplace of Euro-American scientific, literary and political conversation by around about 1910.

The project investigates how this everyday expression – ‘environment’ – came to be taken for granted and, more to the point, what this tells us about the ways in which we think (or don’t think) about ourselves, the world around us and, in short, how our conceptions contrive to carve things up (and stitch them back together).

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Postcapitalist Ecology: A Comment on Inventing the Future

The third post, and second guest, in the Disorder’s forum on Nick and Alex Williams’ Inventing the Future. Joseph Kay writes on climate change and libertarian communism with the collaborative blog Out of the Woods.


Having drafted the following comment on Nick Srnicek and Alex Williams’ (henceforth S&W) Inventing the Future: Postcapitalism and a World Without Work, it reads more critically than I expected. In mitigation, I should say that I’m on-board with many of the key themes of the book. I am wholly sympathetic to anti-work politics, generally in favour of automating away toil (with qualifications which will become apparent), and agree that the replacement of global capitalism requires scalability, comfort with complexity, long-term strategy, utopian imagination, and a plurality of organisational forms and infrastructure.

The critical tenor of what follows arises less from disagreement as such, than from my focus on what appear to be the ecological silences in the text. In particular, I focus on the implied conception of nature imported through S&W’s adoption of an avowedly modern rhetoric of progress and control, and on the unmentioned premises of both the project of full automation, and their more general contention that “we are usually not better off taking the precautionary path” (p.177). My argument is not to reject a high-tech, low-work future, but to outline some of the problems to be addressed in rendering such a ‘hyperstitional’ image ecological.

Modernity and the Ideology of Nature

Early on in Inventing the Future, S&W summarise their thesis:

If complexity presently outstrips humanity’s capacities to think and control, there are two options: one is to reduce complexity down to a human scale; the other is to expand humanity’s capacities. We endorse the latter position.

Read in an ecological light, the conjunction of ‘think and control’ affords two readings. The first and obvious reading is that their argument is situated within what Neil Smith called the ideology of nature. Smith argued that the ideology of nature had two poles. The first, a modernising politico-theological argument which saw scientific progress as the means to conquer and subdue nature. Here, the imaginary is mechanical, and separation from – as dominion over – nature is understood as an emancipatory process.

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