Blog Events & Symposia

The Risky (But Critical) Business of Seeing Politics, Even Without Film

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The fourth contribution in our symposium on Sophie Harman’s Seeing Politics, from Craig Murphy. Craig is the Betty Freyhof Johnson ’44 Professor of Political Science at Wellesley College. He is past chair of the Academic Council on the United Nations System, past president of the International Studies Association, and recipient of the Association’s Distinguished Senior Scholar Award in International Political Economy for his historical studies of global governance and economic development. Craig has published relatively widely on US policy toward the developing world, the economic debates within the UN, the UN Development Programme, the ISO (the International Organization for Standardization), and the co-evolution of industrial capitalism and international institutions. His current project (with JoAnne Yates, Distinguished Professor of MIT’s Sloan School of Management) focuses on private international regulatory standard setting. Their book, Engineering Rules: global standard setting since 1880, was published this year by Johns Hopkins University Press.

When I first heard about Sophie Harman’s “Pili” project, I immediately thought of the first lines of Joshua Goldstein’s 2001 book, War and Gender:

Recently, I discovered a list of unfinished research projects, which I had made fifteen years ago at the end of graduate school. About ten lines down is “gender and war,” with the notation “most interesting of all; will ruin career – wait until tenure.”

The thought was still with me as I read Harman’s brilliant Seeing Politics, not only due to the academic risks to an early career researcher of undertaking a film, but also because Harman’s book forcefully reminded me of how unusually difficult, and academically risky, similar projects using traditional media can be. Therefore, my comments focus what Seeing Politics reminds us about the undervalued and often deeply misunderstood practice of doing traditional intensive fieldwork, especially throughout the global South.

It’s fundamentally important, even if you are ‘just’ seeing (or describing) something.

Harman gives us a wonderfully detailed understanding of what film makers do: They allow us to see and hear political actors and action in their physical and social contexts by carefully selecting words and images from an over-abundant universe of raw material. They find ways to (re)-present, truthfully, the common characteristics of many individual, sometimes by creating aggregate characters. Often, producers and directors must provide anonymity to the people whose words viewers will hear, yet, at the same those speakers are given truthful faces. It is a complex things whose success can certainly be judged, but not perhaps by using only the tools that all social scientists have developed.

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Just Research? (Un)Seeing Politics in a Complex World

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Jo VeareyThe third post in our symposium on Sophie Harman’s Seeing Politics, from Jo Vearey. Jo is an Associate Professor and Director of the African Centre for Migration & Society, University of the Witwatersrand, where she is involved in designing and coordinating research programmes, teaching, and supervising graduate students. Jo is involved in multiple international partnership, is Vice-Chair of the global Migration, Health, and Development Research Initiative (MHADRI), and is an Honorary Researcher at the School of Social and Political Sciences, University of Edinburgh. Jo is a South African National Research Foundation rated researcher and, supported by a Wellcome Trust Investigator Award, established the Migration and Health Project Southern Africa (maHp). With a commitment to social justice, Jo’s research explores ways to generate and communicate knowledge to improve responses to migration, health and wellbeing in the southern African region. Fundamental to her research practice is Jo’s participation in a range of policy processes at international, regional, national and local levels. Jo is exploring the role of public engagement in the development of appropriate policy responses, including the use of mixed methods approaches that involve various publics in the co-production and application of knowledge to affect change.

Sophie Harman has produced an excellent, accessible text within which she shares her reflections on the opportunities and tensions associated with a research process that draws on feminist research praxis, engages with efforts to democratise research, and aims to work with participants to co-produce knowledge. In Seeing Politics, Sophie presents a comprehensive review of the potential of film as a feminist method, and reflects on her work with 80 women in Tanzania that culminated in the co-production of a narrative feature film that shares their stories of living with HIV. The resultant film – Pili – has been shown at international film festivals and received awards and, as Sophie highlights, is the first time that a co-produced narrative film has been applied as a feminist research method in the field of International Relations (IR). Seeing Politics is a book about method and about a justice-driven approach that attempts to ‘make visible the invisible’ lived experiences of women living with HIV in Tanzania, notably their navigation of formal and informal everyday politics and how this intersects with their health and wellbeing, and with gendered experiences of discrimination and abuse. But it is also about a lot more.

Knowledge Politics

Seeing Politics forces us to see a different form of politics: the politics of knowledge. Whilst this is, obviously, implicit throughout the book, we should more explicitly reflect on how ‘the visual’ as a research method and research output ‘makes visible’ the discomforts of knowledge politics, namely: who is telling whose story and for what purpose? When we claim to ‘make visible the invisible’, who are we positioning as invisible and what does it mean to do so? In what context? Is it for us (the researcher) to determine who needs to be made visible? For whose benefit? What are the implications of making people and places visible? Such questions force us to engage in our own research praxis and confront uncomfortable questions about the politics of knowledge, and the role of scholarship and the academy when engaging in justice-driven research.  These are by no means new or novel questions and an extensive body of literature exists that I won’t in any way attempt to summarise here. These long established calls for democratising, decolonising and humanizing research are attracting a new generation of indigenous researchers from multiple disciplinary perspectives who are productively engaging with these tensions, re-engaging with decolonial approaches to research methods and praxis and challenging the status quo in international partnerships.

Sophie highlights that the methodology outlined in Seeing Politics is about a commitment to ensuring what Sophie and her colleague William Brown have previously framed as ‘African agency’, an approach to research that aims “to take African politics, actions, preferences, strategies and purposes seriously to get beyond the tired tropes of an Africa that is victimised, chaotic, violent and poor” (Brown and Harman 2013, 1-2). This is a welcome imperative but, as a framing proposed by two white, British academics based in the UK, what does this – as an academic project in its own right – mean for the idea of ‘African agency’?  At its core, I would argue that Seeing Politics is in fact about precisely these tensions and contradictions that many of us experience in our research praxis. The book itself becomes a helpful tool for recognising and responding to the discomfort we feel of being a researcher and the way we feel about our own positions and complicity in the extractive nature of research. I see how I can use the book in my teaching as a way to generate exactly this form of reflection.

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A Political Ethnography of the Visual

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4379-Simukai_Chigudu_(423586)-1The second post in our symposium on Sophie Harman’s Seeing Politics. This contribution is from Simukai Chigudu, who is Associate Professor of African Politics at the University of Oxford. Simukai is principally interested in the social politics of inequality in Africa, which he examines using disease, public health, violence, and social suffering as organising frameworks for both historical and contemporary case studies. His forthcoming book entitled The Political Life of an Epidemic: Cholera, Crisis and Citizenship in Zimbabwe (Cambridge University Press, 2020) is a study of the social and political causes and consequences of Zimbabwe’s catastrophic cholera outbreak in 2008/09, the worst in African history. He has published articles in a number of peer-reviewed scholarly journals including African Affairs, Global Health Governance, Health Economics, Policy and Law, the International Feminist Journal of Politics, Health Policy and Planning, Seizure: The European Journal of Epilepsy, Feminist Africa, and The Lancet. Prior to academia, Simukai was a medical doctor in the UK’s National Health Service where he worked for three years.

Political science as a discipline, including the branch of international relations, has been slow to grapple with the AIDS crisis. It seems that the HIV-AIDS issue has been conceived of as too private, too biological, too microlevel and sociological, too behavioral and too cultural to attract the attention of many political scientists.

Catherine Boone & Jake Batsell, Africa Today, 2001

It is tempting – and certainly not altogether misguided – to think that in our contemporary digital age, the ubiquitous infrastructures of the Internet, of mobile phones, and of cheap audio and video technologies have radically democratised economies of representation in various (global) public spheres. After all, it is often claimed, mobile phones have profoundly transformed how we acquire and exchange information. In Africa, where most have gone from no phone to mobile phone (‘leapfrogging’), many have believed that improved access to telecommunication would enhance everything from entrepreneurialism, to democratisation, to service delivery, all the while ushering in socio-economic development (Archambault 2016). As part of this package of social transformation through innovation, techno-utopians praise communication technologies and social media for opening up important avenues for popular oral and visual circuits of storytelling.

But how far can these circuits of storytelling go? Where do they meet their limits? What are the structures that enable and inhibit storytelling in public arenas? Sophie Harman’s Seeing Politics offers a fascinating exploration of these questions through her foray into the commercial world of narrative film production. Film is both a microcosm and a macrocosm of the intimate but also vexed interrelationships between technology, economy and the politics of storytelling. Harman shows in riveting detail how a blind optimism in capitalism’s logic of progress and innovation belies the socio-economic structures, patronage politics and gatekeeping practices that govern the making, dissemination and consumption of narrative films.

A simple illustration. The visual landscape of representations of Africa in narrative film, Harman argues, remains largely defined by Hollywood cinematic tropes of ‘“the dark continent” full of “tribal” conflict (Black Hawk Down), ruthless dictators (Last King of Scotland), inner-city violence (Tsotsi), genocide (Hotel Rwanda), government corruption and collusion with capitalist interests (The Constant Gardener), and resource plunder (Blood Diamond)’ (p. 34). Even Black Panther – and I say this cautiously as an enthusiastic Marvel fanboy – can only subvert these tropes through a computer-generated spectacle that, despite being a compelling comic-book movie, offers little by way of a textured and rich (dare I say real?) Africa while the prolific film-makers of Nollywood, Swahiliwood, and Bongo film industries simply can’t compete with the Hollywood behemoth.

Where might ‘we’ (taken here to mean a global audience) then see ordinary African people, in their diversity and uniqueness, reconfiguring and pluralising images of the continent? Harman’s debut film, Pili, is a place to start.

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Seeing Politics, Seeing the Self/Knowing Politics, Knowing the Self

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The first contribution in a symposium on Sophie Harman’s Seeing Politics (McGill-QUeen’s University Press, 2019) (other symposia are also available). The symposium is today introduced by Disorder regular Laura Shepherd. Laura is an Australian Research Council Future Fellow and Professor of International Relations at Sydney University. Laura is also a Visiting Senior Fellow at the LSE Centre for Women, Peace and Security in London, UK. Her primary research focuses on the United Nations Security Council’s ‘Women, Peace and Security’ agenda. Laura is particularly interested in gender, security and violence, and she has strong interests in pedagogy and popular culture. Laura is author/editor of several books, including, most recently Gender, UN Peacebuilding and the Politics of Space (Oxford University Press, 2017) and Routledge Handbook of Gender & Security (edited with Caron Gentry and Laura Sjoberg; Routledge, 2019). Her work has been published in journals such as European Journal of International Relations, International Affairs, and International Feminist Journal of Politics. She tweets from @drljshepherd and blogs semi-regularly right here.

The contributions to the symposium will be collected at this link as they appear over the next weeks.

Stories have a privileged place in the communicative practices of Western Anglophone cultures; they are a way of learning, and of passing on learning. Sophie Harman’s book is motivated by the insight that the stories of Pili and other HIV-positive African women remain largely untold in scholarly and policy discourse on international politics. As Harman writes in the opening pages, ‘Their stories are instrumentalised for funding, political will, and campaigns but they are one-dimensional stories of success in adversity, educational and sanitised narratives, or morality tales of risk and redemption’.[i] Harman goes on to explain that the partiality of the stories that we tell is not unrelated to the methods that we use to conduct our investigations of world politics; a decolonial feminist perspective enables a different kind of seeing, wherein such ‘methods of seeing need to allow such women to see and represent themselves and to value the knowledge and co-contribution to the research process’.[ii] This sets the scene, so to speak, for the development of film-as-method.

Harman’s is not an uncontroversial intellectual undertaking. International Relations, Harman’s discipline and the discipline in which I also (somewhat uneasily) situate myself, seems a particularly disciplined discipline. The idea of a discipline (noun), in the academic sense, clearly derives from the verb: both relate to establishing clear boundaries between what is right and good (behaviour/research) and what is wrong and bad (behaviour/research); both have ways to correct transgression when an uninitiated (or resistant) person strays. We are trained to recognize the boundaries of our discipline and to stay carefully with them, and the artefacts and agents of International Relations police those boundaries furiously, both explicitly and implicitly.[iii] ‘Among other things, international relations students are quietly forbidden from looking for, let alone importing, valuable insights from art, fiction, and literary criticism’.[iv]  Yet – and thankfully – an ill-disciplined, dissident series of scholars have refused to be bound by such strictures and have delighted in music, photographs, sculptures, murals, novels, and films as ways of encountering, and presenting encounters with, world politics.[v]

Seeing Politics Harman

Harman’s book in some ways continues in the tradition of these scholarly works, exploring ‘the potential of film as method and scholarly output for seeing politics’.[vi] But Harman achieves much more than this. She deftly interweaves telling and showing, reading and seeing, to complicate both how we understand the empirical focus of her investigation – the lives of Pili and women like her – and how we approach and apprehend knowledge itself in our quest to better understand the practices of world politics, and she is centrally concerned with the story of her research – or rather, the stories, plural. Harman presents a many-layered narrative in Seeing Politics, drawing in her own research story, the stories of the women that she worked with, the stories of film-making, and stories about the broader political economy of media production, distribution, and consumption. As Harman explains, ‘[n]arrative feature film is an important method in capturing who speaks and who sees IR; however, it also provides an important insight into the relational aspect of knowledge production and consumption and the role of the researcher within this’.[vii] Within every story, there are multiple stories, and within those stories, worlds to tell. Harman writes with a remarkable sensitivity towards these stories, a sensitivity that I can only describe as an ethic, a mode of encountering the world and her own research as a social practice within that world. This research ethic, and mode of both encountering and producing knowledge, situates Seeing Politics as a different kind of intervention.

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Rising to the Challenge: Critical IR in the Corbyn Moment

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David WearingA new post in our loose series on left foreign policy, this time from David Wearing. David is a Teaching Fellow in International Relations at Royal Holloway, University of London, where he specialises in UK foreign relations in the Middle East. David is author most recently of AngloArabia: Why Gulf Wealth Matters To Britain (Polity, 2018), reviewed in a recent issue of the LRB, and of many interventions on the arms trade, the war in Yemen, and the Gulf monarchies. He is also a frequent commentator at The Guardian.

In the academic field of international relations, up until recently, the division of labour was pretty clear. Some of us were engaged in ‘problem solving theory’ and others in ‘critical theory’, as per the distinction famously drawn by Robert Cox.[1] Here, I want to address those friends and colleagues who count themselves in the latter group, arguing that the current historical moment presents us with a unique (perhaps fleeting) opportunity to have a significant impact on British politics and international relations, but one which also demands a willingness to recognise the urgency of that moment, and adapt.

According to Cox’s distinction, problem solving theory ‘takes the world as it finds it, with the prevailing social and power relationships’, and looks for patterns or regularities within those parameters. It is a small-c conservative, technocratic approach, suited to advising policymakers on how best to manage the status quo. Therefore, notwithstanding claims made by those who fall under this heading to be apolitical, objective and scientific, problem solving theory has an inescapably political character, attracting those on the right and centre of the political spectrum, and primarily serving those who benefit most from the ‘prevailing social and power relationships’.

Critical theory, by contrast, ‘does not take institutions and social and power relations for granted but calls them into question by concerning itself with their origins and how and whether they might be in the process of changing’. As such it attracts those further to the left on the political spectrum, for whom the point of interpreting the world is not to manage it better but to change it in fundamental and transformative ways. Under the hitherto familiar division of labour in IR, our task was not to advise policymakers, but step back from and critique the historical conditions within which policymaking takes place: shedding light on what is taken for granted, looking for moments of disruption and crisis in the established patterns, and engaging with those civil society actors who shared our commitment to challenge the ‘prevailing social and power relationships’ head on.

I say ‘the hitherto familiar division of labour’ because we in the UK are now living through precisely one of those moments of disruption and crisis that much of our analysis seeks to identify. Call it ‘the Corbyn moment’, for want of a better term. And if our focus and activities as scholars are defined by our ‘position in…social and political time and space’, as Cox says, and if the present moment is different from the familiar norm, then our focus and activities must surely be different as well.

What is the nature of that moment?
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Property Abolitionism: Race, Colony, Body, Land

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For the final post in our symposium on Colonial Lives of Property, Brenna Bhandar replies to her interlocutors. Brenna is Senior Lecturer in Law at SOAS, University of London. She is author of Colonial Lives of Property: Law, Land and Racial Regimes of Ownership (DUP: 2018) and co-editor (with Jon Goldberg-Hiller) of Plastic Materialities: Politics, Legality and Metamorphosis in the Work of Catherine Malabou (DUP: 2015). She is currently completing Thinking Liberation: anti-racist feminist practice, a book on critical race feminisms with Rafeef Ziadah.

Thanks to all five contributors for these incredibly thoughtful interventions. It is a real gift to have such expansive and thorough responses to one’s work, and to have been given the opportunity to consider the questions they raise about the potential for some of the ideas in the book to travel into domains unexplored in the text. It is impossible to respond to each of the issues raised, but I have chosen 4 different themes to discuss which I think connect many of the articles.

One of the themes arising from the responses to the book is a question about the extent to which the concept, “racial regimes of ownership” is adequate to grasp the realities of colonialism outside of the sphere of British colonial and imperial rule.  To what extent has the co-emergence of racial subjectivities and capitalist property relations been a central part of the advent of colonial modernities beyond the settler colony?

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(Post)Colonial Lives of Property and the Contradictions of ‘Use’

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The fifth post in our symposium on Colonial Lives of Property is by Lisa Tilley. Lisa is Lecturer in Politics and Leverhulme Early Career Fellow at Birkbeck, University of London. She is also co-convenor of the Colonial, Postcolonial, Decolonial Working Group of the British International Studies Association (CPD-BISA); co-founder of the collaborative research project Raced Markets; and Associate Editor of the pedagogical resource Global Social Theory.Her work draws on various theoretical approaches to ‘the colonial question’ in analyses of processes of accumulation and expropriation, especially along urban and rural extractive frontiers in Indonesia.

Brenna Bhandar’s thoughtful and detailed work, Colonial Lives of Property, is a vital reference for anyone seeking to understand land and property in historical, juridical, and economic perspective. This text has application well beyond the disciplinary boundaries of Law and should be given a central place within the Political Economy canon too, especially as it illuminates the long-disregarded, yet undeniably constitutive, relations between the formations of property and race. The text also has a wonderful pedagogical order to it, owing to the way it is structured around central chapters on Use, Propertied Abstractions, Improvement, and Status. I can fully imagine planning a module on the political economy of property around each of those rich and weighty concepts, guided by Bhandar’s exemplary way of thinking them through.

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‘Don’t take my shit…’ Property, Identity and Abolition

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The fourth post in our symposium on Brenna Bhandar’s Colonial Lives of Property comes from The Disorder of Thing’s very own Kerem.

In the last few years, I have become increasingly interested in the ways race and racism are being reconfigured in the UK and ‘the West’ more broadly, not least in light of the War on Terror, the referendum on Britain’s EU membership and the election of Donald Trump.[1]  Prompted by the conversations in organising, academic and online spaces (as well as outside of those spaces, where the real conversation happens), I have also become increasingly concerned with the ways in which activists, academics and commentators have attempted to comprehend and describe the politics of race and racism in the UK. Although the wearisome hegemony of liberalism has long marginalised radical theorisations and activisms against racism in favour of diversity, inclusion and multiculturalism, more recent discussions of race and racism have taken on a new cadence wherein ‘debates on race and class have descended from inadequate to toxic’.

One side of this debate argues that race and racism is a false consciousness which obscures if not hinders the necessity of political work centred on class oppression. Softer versions of this argument tend to portray any racialized grievance as secondary to class, whereas harder versions have sought to defend the cultural integrity of an imagined ‘white working class’ from the dual threats of racialized Others and ‘political correctness’.[2] On the other side of the debate is an increasingly popular form of antiracist politics which prioritises the category of race through fixed and hermetically defined cultural differences that are reducible to the experiences of any given individual. Softer versions of this argument have sought minority recognition and representation from historically hostile institutions; harder versions have rejected any possibility of reconciliation and have advocated political work that corrects problematic behaviours and attitudes in racially defined, discrete and coherent ‘communities’ (often inadvertently centring the agency of white and ‘white proximate’ people in doing so).[3]

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Property as Futurism

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The third post in our symposium on Brenna Bhandar’s Colonial Lives of Property is by Sara Salem. Sara is an Assistant Professor in Sociology at the London School of Economics. Sara’s research interests include political sociology, postcolonial studies, Marxist theory, feminist theory, and global histories of empire and imperialism. She is particularly interested in questions of traveling theory, postcolonial/anti-colonial nationalism, and feminist theory. She has recently published articles in journals such as Signs; Interventions: A Journal of Postcolonial Studies; Review of African Political Economy; and the European Journal of Women’s Studies, among others.

Brenna Bhandar’s ‘Colonial Lives of Property’ is an incisive and exciting book on questions of race, empire, property and the law. Drawing on multiple settler-colonial contexts—Palestine, Australia and Canada—and various time frames, Bhandar meticulously unpacks the loaded legal and social concept of ‘property’ to reveal its entanglements with histories of settler colonialism and race. Bhandar shows us that there cannot be a history of private property law that is not also at the same time a history of land appropriation in the colonies. The colonial drive to appropriate indigenous land—often in the process exterminating indigenous peoples—did not only have specific social, political and economic effects, but also produced legal understandings of land, property and citizenship. Bhandar notes, “Property law was a crucial mechanism for the colonial accumulation of capital, and by the late nineteenth century, had unfolded in conjunction with racial schemas that steadfastly held colonized subjects within their grip. Property laws and racial subjectivity developed in relation to one another, an articulation I capture with the concept of racial regimes of ownership,” (p. 2).

The book demonstrates that by unveiling these processes of appropriation and extermination, we come closer to understanding the categories we today so often work with, such as property and private ownership, and who belongs in the category of the ‘modern human’ and can thus access these. It shows us that the law was developed in and through colonialism, and that “there cannot be a history of private property law, as the subject of legal studies and political theory in early modern England that is not at the same time a history of land appropriation in Ireland, the Caribbean, North America, and beyond,” (pp. 3). This is a particularly important project because of the ways in which property is often associated with freedom. To purchase property means to secure freedom from various calamities, including economic insecurity. Private property has long served as the bulwark of modern liberalism, and one only has to think of the various institutions that were set up primarily to defend private property, among these the police forces.

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On the British Empire Among Empires, and on Property Beyond Sovereignty

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This guest post, from Kerry Goettlich, is the second contribution to our symposium on Brenna Bhandar’s  Colonial Lives of Property. Kerry is a PhD candidate in the IR Department at the London School of Economics. His research is on the historical relationship between space and international politics, particularly the origins and consequences of linear borders. His latest work is ‘The rise of linear borders in world politics’ in the European Journal of International Relations. He was also recently co-editor of Millennium: Journal of International Studies.

As part of the fieldwork for Colonial Lives of Property, Brenna Bhandar witnessed the seventieth razing of the Bedouin village of Al-Araqib by the Israel Land Authority since 2010 (p. 116). Some Bedouin living under Israeli authority are now so used to having their homes destroyed that they have begun building them with particularly pliable materials in order to make reconstruction easier. Others destroy their own homes in order to avoid being charged bulldozing costs by the state. One of Bhandar’s interviewees ‘paid for someone to build his house and paid the same person to destroy it’ (p. 117).

This is just one of many ways in which Colonial Lives of Property powerfully demonstrates the meaning of a ‘history of the present’. The book is a compelling history of private property regimes in settler colonial contexts which never loses sight of what makes this material important for scholars—and, I think, particularly IR scholars—today. It takes us through many centuries of different articulations of the concept and practice of property, each abstracting land space in different ways, and shows us historically how property came to be the upholder of racial and gender inequalities that it is today. It brings together a wealth of theoretical resources to do this, from legal studies scholars such as Cheryl Harris and Alain Pottage to more general social theorists such as Stuart Hall and Cedric Robinson, and many more. The book without a doubt demolishes any account of property as natural, as somehow separate from race and gender, or as emerging fully formed within a self-generating Europe. These, in my reading, would be the main counterarguments, and after reading this book, it would be quite difficult to sustain any of them.

With that in mind, what I want to offer in this post is less of a critique of Colonial Lives of Property than some reflections on some relevant questions it raises. In particular, I focus on two things that are not as prominent here as one might expect: non-Anglophone imperialism and the sovereign or imperial centre. The point here is not that these things are missing, but rather to think about how their relatively subdued roles might help us appreciate the book’s significance differently.

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