The last commentary in our forum on Parashar, Tickner and True (eds.) Revisiting Gendered States: Feminist Imaginings of the State in International Relations from Shine Choi. Shine is Lecturer in Politics and International Relations at Massey University, where her work focuses on North Korea, visuality and aesthetics. She is also an Associate Editor for the International Feminist Journal of Politics and a co-editor of the Creative Interventions in Global Politics book series. Her recent publications include ‘Questioning the International: (Un)making Bosnian and Korean Conflicts, Cinematically’, (with Maria-Adriana Deiana) in Trans-Humanities Journal. The complete set of posts in this series is available here.
In the Afterward essay to Revisiting Gendered States, Christine Sylvester suggests feminists focus on people’s experiences of the state, and as an aside, also asks us to take off our stilettos. Taking the state as an agent or structure in our studies impedes feminist objectives; it is too snug with power even if we critique it. Fashion choice is telling.
This is now the second time, in the last month, that a feminist IR reading has nudged me, as a parenthetical in a larger argument, to reconsider my fashion choice in wearing heels. And now that I think about it, I recall at least two other conversations with academics (one was a fellow IR theory friend, the other a colleague in anthropology who has now retired) where they confide how they would personally never wear heels because their colleagues would never take them seriously if they did. I had assumed their colleagues in reference were men but now I am not so sure.
These shared assumptions about heels – and stilettos perhaps being an extreme, and as a result, an easy type of heels to dismiss – in these conversations/readings are curious. They got me wondering why serious thinking, and more importantly, serious feminist politics cannot be done wearing heels. This is not the lesson we are learning from drag queens about stilettos, and I cannot help but wonder why it takes drag queens to teach us that serious affective embodied thinking and doing do happen in most ridiculous of heels, full makeup and by ‘eccentric’ looking people. Why do we have all these social, cultural gendered ideas around what serious work/wear look like?