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All Your Brain Are Belong To Us: Neuroscience Goes To War

19 Feb

The Royal Society has just released a fascinating report entitled “Neuroscience, Conflict and Security” that examines the increasing role that neuroscientific research is playing in the military today (thanks to Nick for drawing my attention to it). Indeed, as was reported by Wired’s Danger Room a couple of years ago, the US Air Force has been soliciting  research proposals for “innovative science and technology projects to support advanced bioscience research” that include “bio-based methods and techniques to sustain and optimize airmen’s cognitive performance”, “identification of individuals who are resistant to the effects of various stressors and countermeasures on cognitive performance” and “methods to degrade enemy performance and artificially overwhelm enemy cognitive capabilities.” Likewise, DARPA (the Defense Advanced Research Projects Agency that gave us the Internet) has long shown significant interest in the potential military applications of neuroscience.

As the Royal Society report puts it, military neuroscience can be seen to have “two main goals: performance enhancement, i.e. improving the efficiency of one’s own forces, and performance degradation, i.e. diminishing the performance of one’s enemy” (p.1). It is with reference to these two goals that I will attempt in this post to make some sense of the wider context and implications of neuroscience’s entanglement with contemporary martial practices.

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How is Rape a Weapon of War?

13 Feb

This post summarises a piece for the European Journal of International Relations just published online. An inconsequentially different pre-publication version is also available for anyone unable to breach the pay wall.

UPDATE (8 March): Sage have kindly made the full EJIR paper open access until early April, so you can now get it directly that way too.


I’m sure you have reasons
A rational defence
Weapons and motives
Bloody fingerprints
But I can’t help thinking
It’s still all disease.

Fugazi, ‘Argument’ (2001)

‘Weapon of War’ could be many explanations and I’m not sure of any of them.

UNHCR official, Goma, Democratic Republic of Congo, June 2010

1. War Rape in the Feminist Imaginary

Rape is a weapon of war. Such is the refrain of practically all contemporary academic research, political advocacy and media reporting on wartime sexual violence. Once considered firmly outside the remit of foreign policy, rape is today labelled as a ‘tactic of war’ by US Secretaries of State who pledge to eradicate it and acknowledged as a war crime and constituent act of genocide at the highest levels of international law and global governance, a development which for some amounts to the ‘international criminalization of rape’. This idea of rape as a weapon of war has a distinctly feminist heritage. Opposed to the historical placement of gendered violence within the hidden realm of the private, feminist scholarship was the first to draw out the connections between sexual violence and the history of war, just as feminists fought to make rape in times of nominal peace a matter for public concern. Feminist academics have, then, pioneered a view of sexual violence as a form of social power characterised by the operations and dynamics of gender. Sexual violence under feminist inquiry is thus politicised, and forced into the public sphere.

But the consensus that rape is a weapon of war obscures important, and frequently unacknowledged, differences in our ways of understanding and explaining it. Continue reading 

Book launch: A Liberal Peace?

6 Feb

Tuesday 14th February 2012, 5.30pm-7.00pm

Westminster Forum, 5th Floor, Department of Politics and International Relations, University of Westminster, 32-38 Wells Street, London W1 (nearest tube Oxford Circus)

Panel with Editors David Chandler and Meera Sabaratnam, followed by publisher’s reception

All welcome

The 1990s was a weird decade for all kinds of reasons. The dice that were thrown into the air as the Soviet Union retreated landed in a particularly intriguing configuration for those politicians, public functionaries and academics from wealthy countries and institutions concerned with ‘peace’ and ‘development’. Their missions, marginalised for decades under concerns for national (i.e. military) security, were quite suddenly elevated as symbols of the new world order and installed as defining foreign policy priorities of wealthy states. Continue reading 

Body Politics: Corporeal Suffering, Memes and Power/Resistance, with Special Reference to #Occupy, Tahrir Square, ‘Hunger’ (2008) and Rage Against The Machine

23 Nov

*some extremely disturbing images ahead* (and some humorous deployments of Impressionism and Leonardo DiCaprio).


Two weeks ago, Karin Fierke presented a paper at our theory workshop on self-immolation as speech act (part of a forthcoming book entitled The Warden’s Dilemma: Self-Sacrifice, Agency and Emotion in Global Politics with Cambridge University Press). She focused principally on Thich Quang Duc, the South Vietnamese Buddhist monk who set himself alight and burned to death, silent and still, in Saigon in June of 1963, and on Norman Morrison, an American Quaker who copied Duc’s example in November 1965 by combusting his own flesh outside the Pentagon office of Robert McNamara, then the United States Secretary of Defence implementing Operation Rolling Thunder, the rain of fire which infamously unleashed a greater tonnage of bombs on Vietnams North and South than the total dispatched during the entirety of the Second World War.

This mimesis, an affinity not only of form but also of sacrificial politics, was cited as a mechanism for rupturing the symbolic order. Both Duc and Morrison engaged in a corporeal self-violence so forceful that it not only offended senses, but in fact extended a certain community. An act, substituting for speech, argument or manifesto, which forced itself on high politics and forged an international sensibility until that point lacking. One more contemporary dimension of that imitation and repetition is that many must have encountered the image the same way I did, which was via the front cover of Rage Against The Machine’s pugnacious, convulsively political eponymous debut in 1992. And not just the image, but a vague sense of the story imparted by sleeve notes (and lyrics today associated both with opposition to the media grip of Simon Cowell and with visions of the riotous encounter).

Self-immolation persists in a certain tradition of struggle, but the relevance of these themes – the body, sacrifice, the edifice of politics and protest, the circulation of images – has coalesced potently in the wake of recent events (on which more in a moment). Continue reading 

Atrocity Porn, the Resource Curse and Badvocacy in ‘Unwatchable’ (2011)

2 Oct

Lest it need saying, *trigger warning*.


Unwatchable lasts just over 6 minutes, but is intended to linger far longer. A project of Save The Congo, it was apparently turned down by larger charities on the grounds that it was too extreme. Deploying liberal doses of slo-mo and orchestral overture, it shows an armed assault on a whiter-than-white (and blonder-than-blonde) family somewhere in rural England. The teenage daughter is gang-raped on the kitchen table while her father is forced to watch, and her parents are eventually mutilated and killed on their front lawn while the soldiers laugh and film them on mobile phones. At one point we see a soldier cowering to avoid the scenes wrought by his comrades. The youngest daughter is killed trying to escape. In other words, a BBFC 18-rated piece of atrocity porn doubling as a viral advocacy campaign.

A small clickable box sits screen top-right throughout. It reads: ‘Make It Stop’. The tagline: ‘Warning: this film contains sexualised violence you and your mobile phone manufacturer may find disturbing’. The pay off being that this is really about the DRC, but that it will take this happening to white people for you to notice. Yes, this is another campaign about the resource curse and another entry in the catalogue of rape atrocity ratcheting, now with the obligatory twitter hashtag (#bloodminerals) and a petition demanding: a) that EU companies be forced into transparent supply chains for coltan and the like; and b) that ‘swift and severe’ action be taken against any party responsible for violence.

Kate at Wronging Rights picks up on the incoherence of Save the Congo’s accompanying claims:

W…T…F…? Rape is cheaper and much more effective than guns or bullets??? No.  Rape is not a “cheap” coercive strategy.  It’s time-consuming and it exposes the perpetrators to injury and potential STD infection. Armed groups absolutely use it anyway, but not because it’s cheaper than bullets.

And, [i]f armed groups were to raid a village and force the population to leave by shooting at them, NGOs could be alerted and the UN would have to react??  This is surely news to the scores of NGOs, both local and international, who have worked tirelessly to document and publicize the use of rape as a weapon of war throughout the last decade and a half of conflict in the region.

Look, I realize that grassroots activism often plays a fundamental role in political change, and has been particularly important to the history of the human rights movement, but seriously, this “the news made me sad / I can haz NGO?” nonsense has got to stop.  Time to invoke Amanda’s “Love Actually Test” on a wider scale, I think.

Bizarre and untenable as such ideas may be (say what?), the key points of Save the Congo’s analysis are ones now commonly repeated as part of the general ‘weapon of war’ narrative. Continue reading 

Killing is the New ‘Justice’: The Murky Morality of Target Killings

1 Oct

Today’s news of the killing of US citizen Anwar al-Awlaki by US drones sparked a much overdue flurry of criticism and questions on the ethics and legality of Obama’s death-by-drone programme in the war on terror. Awlaki, al-Qaeda’s alleged ‘chief of external operations’ in Yemen (an upgraded title he received posthumously by officials at the White House and the CIA – previously he was by reputation and status merely a radical Muslim cleric) is the first US citizen to have been assassinated in President Obama’s brand of the fight against terrorism. The drones programme is by no means a recent tool in the American war chest, nor has it been particularly reserved in its remit of eliminating specified targets in this interminable ‘war’ effort. What is new, however, is that the US has today eliminated one of it’s own citizens, without due process, stripping said citizen of his 5th Amendment rights and rendering him nothing if not unworthy of living. The fact that a public outcry against the extra-judicial assassination of a human being becomes audible (aside from the controversial killing of enemy #1 Bin Laden of course) only when a US citizen is concerned starkly highlights the normalised extra-judicial status of all foreign drone targets in the perception of the international public. The gloves that came off during the Bush administration are still off and killing as the new justice is beginning to supersede the norm against assassinations.

The norm against political assassinations has been in serious peril since the Bush administration first overtly conceded the strategic use of target killings, framed as a military act to weed out and eliminate high-level Al-Qaeda members, in 2002. This norm continues to deteriorate with Obama at the helm, who has stepped up the drones programme considerably since he took over from Bush junior in 2008. Today, there are roughly double the number of drone attacks per week in regions deemed terrorist hotbeds, specifically Pakistan. Since 2004, these drone strikes are reported to have killed between 1,579 and 2,490 individuals, whereby some analyses estimate the civilian casualty rate among these statistics to be as high as 20%. The vast majority of these deaths have occurred in 2010. While the policy originated as a programme to “capture and kill” a small number of high value terrorist leaders in the G.W. Bush years, the programme has expanded its remit considerably: up to 2,000 killings can hardly be described as a small number, no less if we accept that the total number of military leaders killed was a mere 35 since 2004.

Leaving aside the sovereignty issue that glaringly stares us in the face in a situation where the US decides to engage militarily within a non-war party, such as Pakistan or Yemen, this is a highly concerning development, as it represents not only the gradual erosion of the norm against assassinations but also the very acceptance of the ethics of the targeted killing of persons on a growing scale. Continue reading 

Seduction, Asphyxiation and the Postal Circulation of Military Masculinities

26 Sep

In the spirit of Sociological Images, some postcards recently acquired in Amsterdam. Principally produced to profit the French Red Cross and general effort in World War I, there’s also a more domesticated military masculinity apparent in the ‘Neerland’s Weermacht’ (Dutch Army) card posted in 1939. The artist for the middle set of four (the letter, the gas, the cemetery-orphanage, the seduction) is Louis Raemaekers.

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Nothing Is Authentic Anymore: Disavowed Selves and the Lure of Realpolitik in ‘Tinker, Tailor, Soldier, Spy’ (2011) and ‘In The Loop’ (2009)

21 Sep

Know this: *great clunking spoilers ahead*.


The critical praise heaped on Tomas Alfredson’s version of Tinker, Tailor, Soldier, Spy reflects more than the hunger of intelligent audiences for post-Inception thrillers. Nor can it be explained merely by the excessive parade of grand thesps (Benedict Cumberbatch and the under-rated Stephen Graham both wasted, the former with a sub-Sherlock performance and the latter with a paper-thin bit-part, given historical fidelity by bad hair alone). Its visual and affective qualities are seductive and occasionally beautiful, but then so is its submerged vision of espionage and realpolitik.

The antithesis of Bond and Bourne, Tinker, Tailor offers up the almost forgotten Cold War as the stage for its intrigues. Although the voices are softer and the principals older, there is a more deadly game afoot. As Kermode comments, there will be large swathes of the audience who don’t know the political context at all. Not that it matters, since the detail (Hungary, the parallels with Guy Burgess, Anthony Blunt et al.) are but window-dressing for the appeal of George Smiley (silent, menacing, magnificent Gary Oldman). Contra the brashness of post-9/11 global political allegory-fictions, we are gently ushered into an epic game of chess, played by men. Men whose tools are wit, logic and cunning. Men from an analog age who use little pieces of card to alert them to potential break-ins.

Our contemporary operatives, even those of clear intellect and cunning are, like Bob Barnes in Syriana, always eventually compelled to revert to Hollywood expectations (explosions, gun fights, fisticuffs) to bring matters to their appropriate climax. Not in Tinker, Tailor. At one stage Smiley and co. require small handguns but, although drawn, they are never used. Barring the quasi-orgasmic final exchange between Bill Haydon and Jim Prideaux, our other vivid encounters with slaughter and disembowelment are after the fact, still, frozen scenes, crowned by flies. As if painted by Goya. We gulp and turn away, but what beautiful mutilations!

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Understanding Peacekeeper Sexual Violence

12 Sep

Why do soldiers rape? When footage of peacekeepers from MINUSTAH, the UN mission in Haiti, gang-raping an 18-year old boy surfaced earlier this month, that question resurfaced with it. Official declarations have predictably stressed how unfortunate it is that the actions of ‘a few’ should taint the efforts of ‘the many’, although 108 Sri Lankan peacekeepers were expelled from Haiti for sexual exploitation in 2007, and another Uruguayan soldier was recently discharged for sexual relations with a Haitian minor. Certainly, patterns of similar abuse are not restricted to the Haitian mission. One of the more disturbing points in my brief fieldwork in the Democratic Republic of Congo was when an international human rights official told me, with an almost confessional seriousness, that they had been much more fearful for their sexual integrity while travelling with UN peacekeepers than when interviewing Congolese soldiers.

When discussing rapacious African warriors, it is common to interpret sexual violence as part of a drive to accumulate resources or as the reflection of communal hatred in war. Peacekeeper sexual violence constitutes something of a control case in such debates, since it is much harder to link rape to these dynamics. There is no genocidal project for which peacekeepers are the foot soldiers, and they cannot really be said to be frustrated by poor pay and conditions. Certainly there have been links between sexual exploitation by UN peacekeepers and a kind of trade, although in the opposite direction than usually posited. In the case of UN missions, it has been peacekeepers who have exchanged goods for sex with locals, rather than using rape as a means of accessing additional resources for themselves (although they have also been implicated in other criminal networks for financial gain). Peacekeeper practices of sexual abuse are thus closer to sex trafficking and prostitution on a continuum of gendered exploitation than to models of rape as a tool of terror to facilitate resource capture.

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The Obscure Object That Is Violence

7 Sep

A recurrent trope in the abundant commentary of the recent London riots was the “senselessness” and the “meaninglessness” of the violence witnessed, with the apparent lack of any clear or systematic political demands from rioters and the arson or vandalism of property that did not even seem to carry the symbolic charge that such acts might otherwise be seen to hold had the targets been obvious governmental or corporate institutions. In that respect, looting was much less discomforting in that it at least appeared to obey a discernable intent and acquisitive rationale and could be readily interpreted as the actions of “defective and disqualified consumers.” Perhaps the most common response by commentators has been to recognise the senselessness of some of the violence while simultaneously viewing such meaninglessness as rich with meaning. Žižek thus identified the riots as “zero-degree protest, a violent action demanding nothing” but which by its very nature had the effect of revealing to us that under our current predicament “the only form protest can take is meaningless violence.” Such a hermeneutics of the event has by no means been the preserve of any particular political persuasion, even if that which has been read into the violence varies wildly. In the days and weeks that followed the riots, moral collapsefamily breakdown,  materialism and rap music were, among other things, all blamed for the events, including by those who had initially refused to hear anything else than condemnation. What all seemed to be able to agree on however was the significance of the riots, that this unfocused outburst of violence had torn the veil behind which unpalatable truths about our society lay. One is left with the apparent paradox that a more orderly and articulate protest would likely have been endowed with much less meaning than the “senseless violence” of early August.

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