Hot on Elke’s heels comes the news of the world’s latest doctor. Nick Srnicek, PhD. Awarded for his original thesis Representing Complexity: The Material Construction of World Politics, examined by Professors Iver Neumann and Alex Preda. A certain mastery thus attained.
And so, after some delay due to storm, and just a month after The Disorder Of Things turned three, our own Elke was closely quizzed by Professors Patrick Hayden and Chris Brown. The cause? The defence of her doctoral thesis: The Biopolitical Condition: Rethinking the Ethics of Political Violence in Life-Politics. Arendt, Foucault, and drones. Now passed, certified, set free. Without corrections. Henceforth, Dr Schwarz.
As another term approaches its zenith, we at The Disorder engage in a novel public service: making available a range of our module reading lists. Ready-made bibliographies, crib-sheets, self-help guides, or just objects of curiosity, to do with as you will. We have focused on our more specialised courses, on the assumption that there is a relative dearth of taught programmes on these issues, or taught from these perspectives. Most of the readings remain inaccessible online, although there are libraries still in existence where they may be found. You will also miss out on our great personal charms. Nevertheless, enjoy.
Just click on the titles for the full PDFs. May a thousand ideas bloom!
Joe (Lecturer in International Relations, City University)
Myths and Mysteries in World Politics (co-taught with Aggie Hirst and Amin Samman): This is a ten-week course that runs in the first term and is compulsory for all our undergraduate students. The idea behind it is that we wanted to provide an introduction to “theory” that not only avoided the numerous “isms” but which also harnessed the students’ interest in politics. So, the course is organised around key ideas in politics and we push students to think philosophically about what world politics is, as well as how they are already engaged in it. We hope to develop a critical sensibility by getting students to realise how much they already know, or think they know, about world politics and then encouraging them to look more deeply – hence the “Myths and Mysteries” title. The course is structured in three parts: there’s an initial week where we talk about what “politics” means and ask students to consider their own placement in the political world (this is also the topic of their first essay), then we cover “Power”, “Ethics”, “Violence” and “Law” as big conceptual ideas before turning to a section that looks at the institutions of world politics (broadly conceived), including “Empire”, “Capitalism”, “The State”, “Money” and “History”. In the end, the primary hope is to build intellectual skills – reading, writing, thinking – and introduce them to big ideas in politics rather than indoctrinate them in disciplinary debates.
Following on from the two previous posts (here and here), this final entry will conclude the story of Ernst Jünger’s intellectual trajectory from exalted warrior-poet to withdrawn mystic. I will then propose a brief assessment of Jünger’s legacy and contemporary relevance to our present concerns, notably to a putative political accelerationism.
We pick up our story with the entry of Germany into the Second World War and Jünger’s new conscription into military service. Now aged 44, his experience of the war would however be quite different from the one that had so decisively shaped him as a young man. Following the successful French campaign, he would spend most of the war in an administrative posting in Paris where he assiduously frequented the literary and artistic circles, meeting collaborationist figures like Pierre Drieu La Rochelle and Louis-Ferdinand Céline but also Pablo Picasso and Jean Cocteau. As during the first war, Jünger kept a diary that would eventually be published in 1948 under the title of Strahlungen (“Radiations”). However we encounter within it a markedly different tone, reflective of the different circumstances in which he found himself but also indicative of a retreat from the ideas he had espoused up to the early 1930s. Devoid of much enthusiasm for the war, his writings appear at times almost indifferent to the wider drama playing itself out across Europe but become progressively more somber as the fate of Germany darkens, reports of atrocities in the East filter through, and his eldest son is killed in Italy. Already looking ahead to the end of the conflict, Jünger also worked during the war on an essay called The Peace that proposed a vision of a united federal Europe and was circulated among the internal opposition to Hitler in the Wehrmacht. Several of these figures would be subsequently involved in the failed attempt on the Führer’s life in July 1944, a plot Jünger was seemingly aware of but took no direct part in.
The end of the war would nevertheless see Jünger being called to account for his inter-war writings. Having refused to submit to denazification, he would find himself barred from publishing for four years and he returned to live in the German countryside where he would reside until the end of his life. His remarkable longevity would grant him the opportunity for an abundant literary production, penning novels, essays and diaries ranging from science-fiction and magical realism to early ecological thinking and reflections on his multiple experiences with psychedelics. I will however restrict myself here to discussing Jünger’s immediate post-war writings since we find within them a clear statement of both the continuities and breaks with his prior thinking. Of particular importance is the text that he originally composed in 1950 on the occasion of the Festschrift for Martin Heidegger’s sixtieth birthday, Über die Linie (“Over the Line”).
This is the first in a series of posts on the German war veteran and author Ernst Jünger that draw on research I have presented at seminars at the University of Cambridge, University of East Anglia and University of Sussex over the last year or so. [Edit: The follow-up posts can now be found here and here]
A complex and controversial character, Ernst Jünger is mostly known today for the vivid autobiographical account of life in the trenches of the Great War he penned in Storm of Steel, one of the defining literary works produced by its veterans. Alongside its unapologetic celebration of war, it contains an unflinching, at times clinical, description of the unprecedented destruction wrought by the advent of modern industrial war. As we approach the centenary of the First World War, the text has lost none of its evocative power and is likely to remain a lasting document of the soldierly experience.
Jünger’s subsequent writings, published throughout a long life that ended in 1998 at the ripe old age of 102, are however far less well known in the English-speaking world and many of them remain untranslated to this day. And yet I want to argue that, as problematic a figure as he is, the trajectory of Jünger’s thought and work is worthy of our attention in that it crystallises in a particularly stark and vivid fashion some of the tensions and internecine struggles of the twentieth century. Jünger liked to refer to himself as a seismograph registering the underlying tectonic shifts that prefigured the tremors of his age and in the often exalted and rapturous form that took his writings they can indeed be read as a wilful exacerbation of contemporaneous trends, his failings as much his own as that of his times.
Jünger wrestled in particular with the problem of meaning and human agency in a world increasingly dominated by technology and instrumental rationality that appeared to reach their paroxysm in total war. Inheriting his philosophical outlook from Nietzsche, he understood the problem of the age to be that of nihilism, of the devaluation of all values and the increasing inability to posit any goals towards which life should tend after the ‘death of God.’ He came to view the domination of technique as central to the growth of nihilism, a proposition that appears in an inchoate but nonetheless suggestive form in Nietzsche’s own writings. This Nietzschean perspective would so come to dominate Jünger’s outlook and work that Martin Heidegger would not hesitate to dub him ‘the only genuine continuer of Nietzsche.’