This is the fifth and last part in a series of posts from Siba Grovogui, Professor of International Relations and Political Theory at John Hopkins University. The first part is here; the second here; the third here; the fourth here. The series considers the character and dimensions of the tension between the African Union and ‘the West’ over interventions in Africa. As before, responsibility for visuals adheres solely to Pablo K.
It would be disingenuous to relate events in North Africa and the Middle East (or MENA) today without reference to the media. Here too, there are many possible angles to examine. I will focus on the institutional support that the media provide in shaping consensus in support of foreign policy. In this regard, so-called mainstream Western media and networks (BBC, CNN, Fox, RFI and the like) have played a significant role in generating domestic support for the Libyan campaign. The media find themselves in the contradictory positions of both providing sustenance to foreign policy rationales and reporting on government actions. In this role the media either wittingly or unwittingly assumed the position of justifying contradictory Western foreign policy aims while trying to satisfy the needs of their audiences (especially domestic constituencies and home governments) for information from the front. Consistently, the media often generate sympathy for foreign actors or entities that either support Western interests or have affinities for Western values.
This role is not without a cost, especially when foreign policy actions, including wars, fail to attain their objectives. When the outcome of foreign policy proves disastrous, Western media also have an inexhaustible capacity to either ignore their prior support for the underlying causes or to reposition themselves as mere commentators on events over which they had no control or could not prevent. Increasingly, these tendencies have spread around the world as evidenced in the techniques and styles that have propelled the Qatari-based Al Jazeera into prominence as key contender in the emergent game of production, circulation, and consumption of foreign policy-concordant images for their affective and ideological effects.
So it is not surprising that the backdrop and background scenarios for most reporting on the 2011 revolts in MENA are dimensions of Orientalism, of which they are many. But the most constant is one of autocratic ‘barbarism’. In this regard, the discourses and media techniques for creating and supporting sympathetic figures are just as constant (or invariable) as Western states rationales for intervention. The media-hyped stories of Oriental despotism that preceded Operation Desert Storm, when the US expelled Iraq from Kuwait, have provided the template. During that event, for instance, media feted their viewers with stories of invading Iraqi hordes storming through hospital only to disconnect incubators and let helpless infants die a slow death. These and many stories of heroic bids by US soldiers to prevent such barbarism were later discredited but not the other horrific stories which convinced US citizens of the need to wage war on Saddam Hussein’s occupying army. In the Libyan case today, one of the earlier images of the aura of impunity created by Gaddafi was that of a Libyan female lawyer who was allegedly raped by Gaddafi’s forces. There was also a reported event of military takeover of a hospital.
The Disorder Of Things 