The third post, and second guest, in the Disorder’s forum on Nick and Alex Williams’ Inventing the Future. Joseph Kay writes on climate change and libertarian communism with the collaborative blog Out of the Woods.
Having drafted the following comment on Nick Srnicek and Alex Williams’ (henceforth S&W) Inventing the Future: Postcapitalism and a World Without Work, it reads more critically than I expected. In mitigation, I should say that I’m on-board with many of the key themes of the book. I am wholly sympathetic to anti-work politics, generally in favour of automating away toil (with qualifications which will become apparent), and agree that the replacement of global capitalism requires scalability, comfort with complexity, long-term strategy, utopian imagination, and a plurality of organisational forms and infrastructure.
The critical tenor of what follows arises less from disagreement as such, than from my focus on what appear to be the ecological silences in the text. In particular, I focus on the implied conception of nature imported through S&W’s adoption of an avowedly modern rhetoric of progress and control, and on the unmentioned premises of both the project of full automation, and their more general contention that “we are usually not better off taking the precautionary path” (p.177). My argument is not to reject a high-tech, low-work future, but to outline some of the problems to be addressed in rendering such a ‘hyperstitional’ image ecological.
Modernity and the Ideology of Nature
Early on in Inventing the Future, S&W summarise their thesis:
If complexity presently outstrips humanity’s capacities to think and control, there are two options: one is to reduce complexity down to a human scale; the other is to expand humanity’s capacities. We endorse the latter position.
Read in an ecological light, the conjunction of ‘think and control’ affords two readings. The first and obvious reading is that their argument is situated within what Neil Smith called the ideology of nature. Smith argued that the ideology of nature had two poles. The first, a modernising politico-theological argument which saw scientific progress as the means to conquer and subdue nature. Here, the imaginary is mechanical, and separation from – as dominion over – nature is understood as an emancipatory process.
The Disorder Of Things 