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Swami Vivekananda: An Outsider’s Ramblings

24 Mar

swamiEarlier this month I visited New Delhi’s Ramakrishna Ashram for the first time.  What drew me there was the exhibition on the life of Swami Vivekananda (a.k.a., Narendra Dutta, 1863-1902). The exhibition, inaugurated a few months ago by the Dalai Lama, celebrates the 150th birth anniversary of the saffron-clad monk who is India’s Great Man -“second only to Ghandi,” as I was told more than once.  Compared to most other historical exhibitions I have seen in this country, “Vivekananda: A Prophet of Harmony” is tip-top, as measured by functioning A/C and lighting fixtures, savvy graphics panels, contemporary wallpaper posters, new dioramas, and an interactive exit quiz intended for schoolchildren.  Plus it’s relatively crowded. Over the course of an hour or two I spent there on a Saturday morning I counted a couple of university students (probably taking a short study break from the nearby library), a few senior citizens, half-dozen sadhus (among them, two Europeans and an Indonesian), and one large middle class family visiting the capital city from Tamil Nadu.  “You must see the film,” said the moustached paterfamilias to me.

His reference was to “9/11: The Awakening,” a 15-minute computer-animated piece on a speech Vivekananda gave on 11 September 1893 at the World Parliament of Religion in Chicago, which was held in conjunction with the World’s Columbian Exposition.  Starting with a scene straight out of The Titanic, the film depicts the monk’s transoceanic crossing, and how he bowed to Saraswati, the goddess of learning, before taking the podium.  “Sisters and brothers of America,” Vivekanada’s opening line, is known to every educated Indian person, but “the speech” in the short film appears to take from multiple speeches the monk gave in Chicago, including the second (“Why We Disagree,” September 15) and the third (“Paper on Hinduism,” September 19) are the richest.  By all accounts, Vivekananda’s discourses on religious tolerance and unity, mutual recognition, India, and Hinduism were a big hit (it suffices to consider the tumultuous applause he received multiple times from the audience of 4,000 – or 7,000 if you include the overflow halls of the Art Institute).  Chicago treasures these memories today.  A stretch of the Michigan Ave (at Adams St) is now the honorary Swami Vivekananda Way and a statue of the saint, taller than the one at Delhi’s RK Ashram metro station, adorns Chicagoland’s premier Hindu temple in Lemont.

According to the standard historical narrative, Vivekananda was the first Indian/Hindu thinker to introduce Hinduism and the Indian/Hindu understandings of tolerance, peace, and justice to Anglo-America and the European continent – ideas that would “conquer the world,” as he would put it (“It is my ambition to conquer the world by Hindu thought – to see Hindus from the North Pole to the South Pole”, 1897). The Chicago speeches and other overseas interventions carried by the swamiji established a number of inter-civilization bridges, both big (the global spread of Vedanta philosophy and yoga) and small (Nikola Tesla’s vegetarianism, celibacy, and a possible re-consideration of the mind-body problem). Vivekananda’s speeches and writings, the narrative goes, “awoke” India from its slumber (“For the next fifty years let Mother India be your God. Serve your country as you would serve God, and India will awaken”, 1897).  His “modernized” version of the Indian/Hindu thought inspired “social reform” at home, while helping raise awareness about India’s anti-colonial struggle abroad.  No less important, he founded the Ramakrishna Mission (now the main publisher of his writings) and the Vedanta Societies [1], which continue to spread his teachings to this day.

Continue reading 

This Courage Called Utopia

9 Nov

(wild bells) A warm Disordered welcome to Wanda Vrasti, who previously guested on the topic of the neoliberal tourist-citizen imaginary, and now joins the collective permanently. And glad we are to have her. Her academic writings thus far include Volunteer Tourism in the Global South: Giving Back in Neoliberal Times (which came out with the Routledge Interventions series a few months ago), ‘The Strange Case of Ethnography in International Relations’ (which caused its own debate), ‘”Caring” Capitalism and the Duplicity of Critique’, and most recently ‘Universal But Not Truly “Global”: Governmentality, Economic Liberalism and the International’.


It’s often been said that this is not only a socio-economic crisis of systemic proportions, but also a crisis of the imagination. And how could this be otherwise? Decades of being told There Is No Alternative, that liberal capitalism is the only rational way of organizing society, has atrophied our ability to imagine social forms of life that defy the bottom line. Yet positive affirmations of another world do exist here and there, in neighbourhood assemblies, community organizations, art collectives and collective practices, the Occupy camps… It is only difficult to tell what exactly the notion of progress is that ties these disparate small-is-beautiful alternatives together: What type of utopias can we imagine today? And how do concrete representations or prefigurations of utopia incite transformative action?

Javier Lozano Jaén

First thing one has to notice about utopia is its paradoxical position: grave anxiety about having lost sight of utopia (see Jameson’s famous quote: “it has become easier to imagine the end of the world than the end of capitalism”) meets great scepticism about all efforts to represent utopia. The so-called “Jewish tradition of utopianism,” featuring Adorno, Bloch, and later on Jameson, for instance, welcomes utopianism as an immanent critique of the dominant order, but warns against the authoritarian tendencies inherent in concrete representations of utopia. Excessively detailed pictures of fulfilment or positive affirmations of radiance reek of “bourgeois comfort.” With one sweep, these luminaries rid utopianism of utopia, reducing it to a solipsistic exercise of wishing another world were possible without the faintest suggestion of what that world might look like.

But doing away with the positive dimension of utopia, treating utopia only as a negative impulse is to lose the specificity of utopia, namely, its distinctive affective value. The merit of concrete representations of utopia, no matter how imperfect or implausible, is to allow us to become emotionally and corporeally invested in the promise of a better future. As zones of sentience, utopias rouse the desire for another world that might seem ridiculous or illusory when set against the present, but which is indispensable for turning radical politics into something more than just a thought exercise. Even a classic like “Workers of the World Unite!” has an undeniable erotic (embodied) quality to it, which, if denied, banishes politics to the space of boredom and bureaucracy. It is one thing to tell people that another world is possible and another entirely to let them experience this, for however shortly.

Most concrete representations and prefigurations of utopia from the past half century or so have been of the anti-authoritarian sort. Continue reading 

The Anglosphere, Part Two: Of Liberal Leviathans and Global Turns

31 May

Viewed from the perspective of liberal IR, Britain’s globe-spanning empire can be described as “Liberal Internationalism 1.0.” According to G. John Ikenberry, the “liberal ascendancy” had everything to do with the “growth and sheer geopolitical heft of the world’s liberal democracies.” The British may have been the first to harmonize national interest with the stability, openness and rule-following in the international systems, but it was the Americans who “fused” them. “If the liberal order was built after World War II primarily within the West, the end of the Cold War turned that order into a sprawling global system” [1].

The question that has always fascinated me is how we got from Liberal Internationalism 1.0 to Liberal Internationalism 2.0, or how, to freely borrow from Ikenberry, power shifted between two liberal Leviathans, Britain and the U.S. What is puzzling here is the absence of the Wars of Anglophone Succession. Instead of fighting each other at least once or twice, the two empires first found ways to cooperate and coordinate their imperial activities around the globe, then engaged in what can be described as a pacted transition, even as a corporate merger. Here’s one verdict, taken from “The imperialism of decolonizationpiece by Wm Roger Louis and Ronald Robinson:

The British were welcoming the Americans back into the British family of nations and, informally at least, into the Commonwealth . . . [the post-war empire operated] as part of the Anglo- American coalition . . . like a multinational company.

Putting aside the historiography debates about its scope, timing and sequencing, this historical process was no doubt of momentous importance for the evolution of the liberal order, both in terms of the accumulation of hegemonic power, and in terms of social and institutional learning. The Anglosphere, in other words, begins here. So how do we explain it? Strategic calculus and/or a putatively liberal predilection for cooperation, compromise, and conciliation (last word Churchill’s) are only parts of this story, as Charles Kupchan notes in his How Enemies Become Friends:

British appeasement of the United States and the practice of reciprocal restraint that followed cleared the way for rapprochement. But it was the emergence of a new discourse on both sides of the Atlantic – one that propagated notions such as a “shared Anglo-Saxon race” and an “Anglo-American family” – that produced a compatible identity, consolidated stable peace, and laid the foundations for the strategic partnership that exists to this day.

I could not agree more. Racialized identities operate as social structures of power, and this was a time when they explicitly authorized unity and superiority for Us against Them in ways that had profound consequences for the evolution of the so-called liberal international order. Anglo-Saxonism enabled the U.S. and Britain – or their elites – not only to position themselves favourably vis-à-vis each other at the turn of the twentieth century, but also with respect to the rest of the world and in a longer term. The Anglo-American rapprochement was no “global turn” of the sort that Kupchan talks about in his latest book, but it arguably comes close to it in macro-historical term. For one, the paths, pace and outcomes of the 1945-1951 international institution-building spree – that foundation of Liberal Internationalism 2.0 –followed the patterns of UK-U.S. cooperation first established during the colonial wars and near-wars in the 1890s. The much-disclaimed “special relationship” has its origins in this period – something to keep in mind next time we hear that U.S.-hugging remains in someone’s national interest, as General Sir David Richards, the head of Britain’s armed forces, argued last week.

This story I wish to tell can be expanded and contracted empirically (Anglo-Saxonism is dead today, but its effects can be found everywhere from university scholarships to contemporary military alliances) and theoretically (through, say, an account of core-periphery relations that made global capitalism possible), but the main substantive point remains the same, and that is that we cannot fully understand the “liberal ascendancy” without pausing (as Siba Grovogui might say) over the pervasiveness and power of racialized identities that connected Liberal Internationalism 1.0 and 2.0 [2]. Continue reading 

What We Talked About At ISA: From #occupyirtheory to #OpenIR?

19 Apr

A write up of my comments at the #occupyirtheory event in San Diego. The event itself was both hope-filled and occasionally frustrating, not least for the small group of walk-outs, apparently ‘political’ ‘scientists’ lacking in any conception of what it actually means to engage in the political (note: this bothered me especially, but was a rather minor irritation in the grander scheme of things). Despite the late hour, there were between 40 and 60 people there throughout, and a number of very positive things have come of it. It looks like there’ll be some gathering at BISA/ISA to discuss further, and we’re pitching something for the Millennium conference on some of the themes addressed below, and there will of course be ISA 2013 too. In the meantime, there’s the Facebook group, the blog, and a mailing list. The term OpenIR is owed to Kathryn Fisher, and seems to several of us to be a better umbrella term for the many things we want to address in the discipline and the academy. I also just want to give a public shout-out to Nick, Wanda, Robbie and Meera for doing so much on this.


The #occupy practice/meme has antecedents. Physical manifestations of a ‘public’, horizontalism, prefigurative politics and more can be traced in all sorts of histories. One such lineage is the foreshadowing of Zucotti Park in recent struggles over education. Take the slogan in March 2010 over privatisation at the University of California, which was ‘STRIKE / OCCUPY / TAKEOVER’. Or Middlesex, where students resisting the dismantling of the Philosophy Department in that same year unfurled a banner during their occupation, one that proclaimed: ‘THE UNIVERSITY IS A FACTORY! STRIKE! OCCUPY!’.

I want briefly, then, to think about the space of the university in our discussions of #occupy. There have been rich and suggestive calls to re-politicise ourselves as academic-activists, to look again at our work and its claims, and to turn our abilities, such as they are, to projects of resistance and transformation. But we risk a displacement. When we talk of ‘the street’, or politics enacted in the reconfigured space of #occupy, or of the ‘real world’ that we must be relevant to, we already miss the university itself as that factory in which we labour. We are tempted by a view of ourselves as leaving ivory towers to do politics, instead of seeing those towers themselves as spaces of politics. As if our institutions and practices were not already part of the world.

Whether you see #occupy as transformational or nor, or whether you simply prefer a different vocabulary, I think a demand remains: a demand to politicise our own positionality. This politicisation can have many dimensions, but I want to suggestively highlight four, each being a sphere in which we should be diagnosing and transforming our own practices.

Continue reading 

#occupyirtheory, International Studies Association (San Diego) Edition

30 Mar

ISA 2012 is just around the corner, and it will doubtless be as hectic and awkward and joyous as ever. Robbie and I will be appearing at an event on #occupy and its relevance for IR on Tuesday at 7 in Indigo 204 at the Hilton Bayfront. We’ll be joining Lucian Ashworth, Lara Coleman, Nicholas Kiersey and Wanda Vrasti (all chaired by Jason Weidner) for what I’m sure will be an exciting roundtable discussion. More importantly, it will be brief, with most of the session given over to a General Assembly-style discussion of what IR can learn from #occupy, what #occupy might get from IR, and how we might take the spirit and organisational form into the discipline itself (or not).

The hope is that the slightly later starting time will allow people to go both to the various Section receptions and meetings (briefly) and to come to this, whilst still leaving reasonable evening time for food and the rest. Please do get involved over at Facebook (see also the #occupyirtheory group and #occupyirtheory blog) and let interested IR-types know. Readers may also be (should also be!) interested in a recent forum from the Journal of Critical Globalisation Studies on ‘Occupy IR/IPE’, featuring Nick and Wanda (as well as Colin Wight, Michael J. Shapiro, Patrick Jackson and others), which I’ve parcelled together as a single pdf for your delectation here.

Hope to see you there!

Human Rights Contested – Part II

25 Feb

This is a continuation of my previous post

Who Are Human Rights For?

All of the authors take account of the ambiguous history of human rights, in which they can be said to have inspired the Haitian, American and French revolutions, while also justifying the counterrevolutionary post-Cold War order dominated by the United States. Yet recognising this ambiguity without also acknowledging the distinctive reconstruction of contemporary human rights that makes them part of a neo-liberal international order and the unequal power that makes such a quasi-imperial order possible would be irresponsible. A primary contribution made collectively by these texts is that they clearly diagnose the way human rights have been used to consolidate a particular form of political and economic order while undercutting the need for, much less justification of, revolutionary violence. Williams says of Amnesty International’s prisoners of conscience, who serve as archetypal victims of human rights abuse,

the prisoner of conscience, through its restrictive conditions, performs a critical diminution of what constitutes “the political.” The concept not only works to banish from recognition those who resort to or advocate violence, but at the same time it works to efface the very historical conditions that might come to serve as justifications – political and moral – for the taking up of arms.

Human rights, then, are for the civilised victims of the world, those abused by excessive state power, by anomalous states that have not been liberalised – they are not for dangerous radicals seeking to upset the social order.

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Human Rights Contested – Part I

22 Feb

This post (presented in two parts) is drawn from a review article that will be forthcoming in The Journal of Intervention and Statebuilding, which looks at a recent set of critical writings on human rights in order to consider the profound limitations and evocative possibilities of the contested idea and politics of human rights.

Human Rights in a Posthuman World: Critical Essays by Upendra Baxi. Oxford: Oxford University Press, 2009.

Surrendering to Utopia: An Anthropology of Human Rights by Mark Goodale. Stanford, CA: Stanford University Press, 2009.

The Divided World: Human Rights and Its Violence by Randall Williams. Minneapolis, MN and London: University of Minnesota Press, 2010.

After Evil: A Politics of Human Rights by Robert Meister. New York, NY: Columbia University Press, 2011.

The central tension of human rights is that they propagate a universal and singular human identity in a fragmented political world. No one writing about human rights ignores this tension, but the most important question we face in judging the value of human rights is how to understand this tension and the divisions it creates. The expected divisions between good and evil, between moral universalists and dangerous relativist, between dignified interventionists and cowardly apologists, have long given shape to human rights, as both an ideal and a political project. Seeing the problems of (and for) human rights in these habituated ways has dulled our capacity for critical judgment, as few want to defend evil or violent particularisms or advocate passivity in the face of suffering. Even among serious and determined critics our inherited divisions are problematic (and increasingly over rehearsed), whether we think of human rights as the imposition of Western cultural values, or in terms of capitalist ideology serving the interests of neo-liberal elites, or as an expression of exceptional sovereign power at the domestic and global levels. The ways that these divisions deal with the tension at the heart of human rights misses the ambiguity of those rights in significant ways.

     Rather than trying to contain the tensions between singularity and pluralism, between commonality and difference, in a clear and definitive accounting, the authors of the texts reviewed here allow them to proliferate. Rather than trying to resolve the problem of human rights, they attempt to understand human rights in their indeterminate dissonance while exploring what they might become. To create and invoke the idea of humanity is not a political activity that is unique (either now or in the past) to the ‘West’. The people most dramatically injured by global capitalism sometimes fight their oppression by innovating and using the language and institutions of human rights. Political exceptions – the exclusion of outsiders, humanitarian wars and imperialist conceits – are certainly enabled by the same sovereign power that grants rights to its subjects, which is a metaphorical drama all too easily supported by human rights, but it is only a partial telling of the tale, a telling that leaves out how human rights can reshape political authority and enable struggles in unexpected ways. The work of these authors pushes us to reject the familiar divisions we use to understand the irresolvable tension at the centre of human rights and see the productive possibilities of that tension. If human rights will always be invoked in a politically divided world, and will also always create further divisions with each declaration and act that realises an ideal universalism, then our focus should be on who assumes (and who can assume) the authority to define humanity, the consequences for those subject to such power, and the ends toward which such authority is directed. Continue reading 

Academia in the Age of Digital Reproduction; Or, the Journal System, Redeemed

8 Feb

It took at least 200 years for the novel to emerge as an expressive form after the invention of the printing press.

So said Bob Stein in an interesting roundtable on the digital university from back in April 2010. His point being that the radical transformations in human knowledge and communication practices wrought by the internet remain in their infancy. Our learning curves may be steeper but we haven’t yet begun to grapple with what the collapsing of old forms of social space means. We tweak and vary the models that we’re used to, but are generally cloistered in the paradigms of print.

When it comes to the university, and to the journal system, this has a particular resonance. Academics find themselves in a strange and contradictory position. They are highly valued for their research outputs in the sense that this is what determines their reputation and secures their jobs (although this is increasingly the value of the faux-market and the half-assed quality metric). This academic authority, won by publications, is also, to some extent, what makes students want to work with them and what makes them attractive as experts for government, media and civil society. They are also highly valued in a straight-forward economic sense by private publishing houses, who generate profit from the ability to sell on the product of their labour (books and articles) at virtually no direct remuneration, either for the authors or for those peer reviewers who guarantee a work’s intellectual quality. And yet all (OK, most) also agree that virtually nobody reads this work and that peer review is hugely time-consuming, despite being very complicated in its effects. When conjoined with the mass noise of information overload and the extension and commercialisation of higher education over the last decades, our practices of research, dissemination and quality control begin to take on a ludicrous hue. As Clifford Lynch nicely puts it, “peer review is becoming a bottomless pit for human effort”.

This is an attempt to explore in more detail what the potentialities and limits are for academic journals in the age of digital reproduction. Once we bracket out the sedimented control of current publishers, and think of the liveliness of intellectual exchange encountered through blogs and other social media, a certain hope bubbles up. Why not see opportunity here? Perhaps the time is indeed ripe for the rebirth of the university press, as Martin Weller argues:

the almost wholesale shift to online journals has now seen a realignment with university skills and functions. We do run websites and universities are the places people look to for information (or better, they do it through syndicated repositories). The experience the higher education sector has built up through OER, software development and website maintenance, now aligns nicely with the skills we’ve always had of editing, reviewing, writing and managing journals. Universities are the ideal place now for journals to reside.

Continue reading 

Body Politics: Corporeal Suffering, Memes and Power/Resistance, with Special Reference to #Occupy, Tahrir Square, ‘Hunger’ (2008) and Rage Against The Machine

23 Nov

*some extremely disturbing images ahead* (and some humorous deployments of Impressionism and Leonardo DiCaprio).


Two weeks ago, Karin Fierke presented a paper at our theory workshop on self-immolation as speech act (part of a forthcoming book entitled The Warden’s Dilemma: Self-Sacrifice, Agency and Emotion in Global Politics with Cambridge University Press). She focused principally on Thich Quang Duc, the South Vietnamese Buddhist monk who set himself alight and burned to death, silent and still, in Saigon in June of 1963, and on Norman Morrison, an American Quaker who copied Duc’s example in November 1965 by combusting his own flesh outside the Pentagon office of Robert McNamara, then the United States Secretary of Defence implementing Operation Rolling Thunder, the rain of fire which infamously unleashed a greater tonnage of bombs on Vietnams North and South than the total dispatched during the entirety of the Second World War.

This mimesis, an affinity not only of form but also of sacrificial politics, was cited as a mechanism for rupturing the symbolic order. Both Duc and Morrison engaged in a corporeal self-violence so forceful that it not only offended senses, but in fact extended a certain community. An act, substituting for speech, argument or manifesto, which forced itself on high politics and forged an international sensibility until that point lacking. One more contemporary dimension of that imitation and repetition is that many must have encountered the image the same way I did, which was via the front cover of Rage Against The Machine’s pugnacious, convulsively political eponymous debut in 1992. And not just the image, but a vague sense of the story imparted by sleeve notes (and lyrics today associated both with opposition to the media grip of Simon Cowell and with visions of the riotous encounter).

Self-immolation persists in a certain tradition of struggle, but the relevance of these themes – the body, sacrifice, the edifice of politics and protest, the circulation of images – has coalesced potently in the wake of recent events (on which more in a moment). Continue reading 

Nothing Is Authentic Anymore: Disavowed Selves and the Lure of Realpolitik in ‘Tinker, Tailor, Soldier, Spy’ (2011) and ‘In The Loop’ (2009)

21 Sep

Know this: *great clunking spoilers ahead*.


The critical praise heaped on Tomas Alfredson’s version of Tinker, Tailor, Soldier, Spy reflects more than the hunger of intelligent audiences for post-Inception thrillers. Nor can it be explained merely by the excessive parade of grand thesps (Benedict Cumberbatch and the under-rated Stephen Graham both wasted, the former with a sub-Sherlock performance and the latter with a paper-thin bit-part, given historical fidelity by bad hair alone). Its visual and affective qualities are seductive and occasionally beautiful, but then so is its submerged vision of espionage and realpolitik.

The antithesis of Bond and Bourne, Tinker, Tailor offers up the almost forgotten Cold War as the stage for its intrigues. Although the voices are softer and the principals older, there is a more deadly game afoot. As Kermode comments, there will be large swathes of the audience who don’t know the political context at all. Not that it matters, since the detail (Hungary, the parallels with Guy Burgess, Anthony Blunt et al.) are but window-dressing for the appeal of George Smiley (silent, menacing, magnificent Gary Oldman). Contra the brashness of post-9/11 global political allegory-fictions, we are gently ushered into an epic game of chess, played by men. Men whose tools are wit, logic and cunning. Men from an analog age who use little pieces of card to alert them to potential break-ins.

Our contemporary operatives, even those of clear intellect and cunning are, like Bob Barnes in Syriana, always eventually compelled to revert to Hollywood expectations (explosions, gun fights, fisticuffs) to bring matters to their appropriate climax. Not in Tinker, Tailor. At one stage Smiley and co. require small handguns but, although drawn, they are never used. Barring the quasi-orgasmic final exchange between Bill Haydon and Jim Prideaux, our other vivid encounters with slaughter and disembowelment are after the fact, still, frozen scenes, crowned by flies. As if painted by Goya. We gulp and turn away, but what beautiful mutilations!

Continue reading 

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