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“Across Oceans To Hear”

20 Mar

Naeem InayatullahThe eighth post in our Methodology and Narrative mini-forum, this time from Naeem Inayatullah. Naeem teaches at Ithaca College. His research locates the Third World in international relations. He shows how the history and theory of international relations are formed against ideas about “Indians”. He demonstrates how classical theorists such as Smith, Hegel, and Marx construct their arguments via comparisons to non-European peoples. His conceptualization of political economy as a capitalist global division of labor aims to reveal how contemporary conditions of wealth and poverty emerge from historical capitalism. In addition, he works on the relationship between autobiography and theory construction as well as on how popular culture – especially music and television – expresses theoretical tensions. With David Blaney, he is the co-author of International Relations and the Problem of Difference (Routledge 2004), and Savage Economics: Wealth, Poverty, and the Temporal Walls of Capitalism (Routledge 2010). He is the editor of Autobiographical International Relations: I, IR (Routledge 2011). He is currently working on materials that consider the overlap between pedagogy, psychoanalysis, and writing.

Pablo adds: He is also an incisive and funny responder to student criticism.

Too often my eyes glaze over when I am reading the theory section of our professional papers. At conferences and workshops, my ears search for other frequencies when I hear theory speak. But not always. When “my theorists” are engaged, I can filter out and hone in. Otherwise, though, I glide away. When I do so, I discipline myself into attention by mocking my hubris. I don’t wish to take that posture here. Instead, I want to use this space to defend and substantiate my drift. I am not sure I will do so, however, with an explicit argument.

Our discipline is faddish, no? Product differentiation requires graduate students and established scholars to move from theorist to theorist – searching for profit from all the pores of the earth.[1] And yet, new debates seem like old debates. Things, times, and theorists change but our foundational questions probably remain less than a dozen. My favorite theorists – dead and alive – negotiate these questions. As do yours. I no longer have it in me to sift through the jargon and make the translations.

And yet, there is always something to be had in these workshops and conference papers. Something buried in the theory speak but which the author/speaker hides in plain view. She/he is speaking now. A mind/body configured uniquely by the particular path of this particular life. But structured by forces mundane, ubiquitous, and universal. Such bodies speak and write. They hide what they try to learn. But they also reveal bits of the real. I am trying to pay attention.

—–

Claire Turenne-Sjolander relates her husband’s sudden death. She conveys what forced her to write her grief and to rage against the medical profession. She describes her negotiation with the editor of a journal over what needs to be added. She marvels at the outpouring of responses she receives from readers. Her story contains a universal equivalent. It presses others to reveal their own particular grief and anger. She sketches the stakes in all this. Writing is grief work, a kind of mourning — I take her to imply.

Jennifer Riggan says, “I fell in love with a man from Eritrea.” My mind races. Continue reading →

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This Courage Called Utopia

9 Nov

(wild bells) A warm Disordered welcome to Wanda Vrasti, who previously guested on the topic of the neoliberal tourist-citizen imaginary, and now joins the collective permanently. And glad we are to have her. Her academic writings thus far include Volunteer Tourism in the Global South: Giving Back in Neoliberal Times (which came out with the Routledge Interventions series a few months ago), ‘The Strange Case of Ethnography in International Relations’ (which caused its own debate), ‘”Caring” Capitalism and the Duplicity of Critique’, and most recently ‘Universal But Not Truly “Global”: Governmentality, Economic Liberalism and the International’.

It’s often been said that this is not only a socio-economic crisis of systemic proportions, but also a crisis of the imagination. And how could this be otherwise? Decades of being told There Is No Alternative, that liberal capitalism is the only rational way of organizing society, has atrophied our ability to imagine social forms of life that defy the bottom line. Yet positive affirmations of another world do exist here and there, in neighbourhood assemblies, community organizations, art collectives and collective practices, the Occupy camps… It is only difficult to tell what exactly the notion of progress is that ties these disparate small-is-beautiful alternatives together: What type of utopias can we imagine today? And how do concrete representations or prefigurations of utopia incite transformative action?

Javier Lozano Jaén

First thing one has to notice about utopia is its paradoxical position: grave anxiety about having lost sight of utopia (see Jameson’s famous quote: “it has become easier to imagine the end of the world than the end of capitalism”) meets great scepticism about all efforts to represent utopia. The so-called “Jewish tradition of utopianism,” featuring Adorno, Bloch, and later on Jameson, for instance, welcomes utopianism as an immanent critique of the dominant order, but warns against the authoritarian tendencies inherent in concrete representations of utopia. Excessively detailed pictures of fulfilment or positive affirmations of radiance reek of “bourgeois comfort.” With one sweep, these luminaries rid utopianism of utopia, reducing it to a solipsistic exercise of wishing another world were possible without the faintest suggestion of what that world might look like.

But doing away with the positive dimension of utopia, treating utopia only as a negative impulse is to lose the specificity of utopia, namely, its distinctive affective value. The merit of concrete representations of utopia, no matter how imperfect or implausible, is to allow us to become emotionally and corporeally invested in the promise of a better future. As zones of sentience, utopias rouse the desire for another world that might seem ridiculous or illusory when set against the present, but which is indispensable for turning radical politics into something more than just a thought exercise. Even a classic like “Workers of the World Unite!” has an undeniable erotic (embodied) quality to it, which, if denied, banishes politics to the space of boredom and bureaucracy. It is one thing to tell people that another world is possible and another entirely to let them experience this, for however shortly.

Most concrete representations and prefigurations of utopia from the past half century or so have been of the anti-authoritarian sort. Continue reading →

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Navigating Neoliberalism: Political Aesthetics in an Age of Crisis

11 Sep

For those who are interested, here’s a copy of the talk I gave last weekend on the technological sublime, machine perception, and cybernetic economies. Held in the beautiful Treignac area at The Matter of Contradiction: Ungrounding the Object event, it was a lot of fun and filled with some fascinating discussions. Many thanks to the Treignac Projet for inviting me and organizing the event. Check out more of their work here.

The Living Dead: On the Strange Persistence of Zombie International Relations

10 Nov

A guest post by George Lawson, Lecturer in International Relations at the London School of Economics & Political Science. He is the author of Negotiated Revolutions: The Czech Republic, South Africa and Chile, Co-Editor of The Global 1989: Continuity and Change in World Politics and has written a number of articles on historical sociology, revolution and world order. He is currently a Co-Editor of Review of International Studies and a Convener of the BISA Working Group on Historical Sociology and International Relations. He is currently working on a monograph on the anatomy of revolutions. Images by Pablo.

Daniel Drezner is no fool. This is a scholar who produces major publications, who teaches at a major institution, and who contributes to a major International Relations blog. So you have to wonder why he wrote Theories of International Politics and Zombies. Because this is, by any criteria I can come up with, a very foolish book.

Every now and again, I come across films, music or books and wonder how, in a world where so many talented people fail to make the grade, it can be possible to create, develop, sanction and, ultimately, sell products that are so banal. Often, the answer is simple – money. Perhaps that is the case here too. But I have a feeling that something else is involved in this book as well – Drezner, and plenty of others, seem to think that the connection between zombies and IR theory is uproariously, hilariously, side-splittingly funny. Judging by much of the commentary on the book – and listening via podcast to the guffaws of the audience at a panel devoted to the book at the 2011 International Studies Association Convention – many people clearly share Drezner’s sense of humour. So perhaps I am the curmudgeon here. Because I found this book diverting only in a way popularised by a recent headline in The Onion: ‘Time Between Thing Being Amusing, Extremely Irritating Down To 4 Minutes’. I lasted about half that long with Theories of International Politics and Zombies.

Why is it that so much hoo-hah has been made about this book (10,000 copies sold within six months of publication)?

Continue reading →

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Atrocity Porn, the Resource Curse and Badvocacy in ‘Unwatchable’ (2011)

2 Oct

Lest it need saying, *trigger warning*.

Unwatchable lasts just over 6 minutes, but is intended to linger far longer. A project of Save The Congo, it was apparently turned down by larger charities on the grounds that it was too extreme. Deploying liberal doses of slo-mo and orchestral overture, it shows an armed assault on a whiter-than-white (and blonder-than-blonde) family somewhere in rural England. The teenage daughter is gang-raped on the kitchen table while her father is forced to watch, and her parents are eventually mutilated and killed on their front lawn while the soldiers laugh and film them on mobile phones. At one point we see a soldier cowering to avoid the scenes wrought by his comrades. The youngest daughter is killed trying to escape. In other words, a BBFC 18-rated piece of atrocity porn doubling as a viral advocacy campaign.

A small clickable box sits screen top-right throughout. It reads: ‘Make It Stop’. The tagline: ‘Warning: this film contains sexualised violence you and your mobile phone manufacturer may find disturbing’. The pay off being that this is really about the DRC, but that it will take this happening to white people for you to notice. Yes, this is another campaign about the resource curse and another entry in the catalogue of rape atrocity ratcheting, now with the obligatory twitter hashtag (#bloodminerals) and a petition demanding: a) that EU companies be forced into transparent supply chains for coltan and the like; and b) that ‘swift and severe’ action be taken against any party responsible for violence.

Kate at Wronging Rights picks up on the incoherence of Save the Congo’s accompanying claims:

W…T…F…? Rape is cheaper and much more effective than guns or bullets??? No.  Rape is not a “cheap” coercive strategy.  It’s time-consuming and it exposes the perpetrators to injury and potential STD infection. Armed groups absolutely use it anyway, but not because it’s cheaper than bullets.

And, [i]f armed groups were to raid a village and force the population to leave by shooting at them, NGOs could be alerted and the UN would have to react??  This is surely news to the scores of NGOs, both local and international, who have worked tirelessly to document and publicize the use of rape as a weapon of war throughout the last decade and a half of conflict in the region.

Look, I realize that grassroots activism often plays a fundamental role in political change, and has been particularly important to the history of the human rights movement, but seriously, this “the news made me sad / I can haz NGO?” nonsense has got to stop.  Time to invoke Amanda’s “Love Actually Test” on a wider scale, I think.

Bizarre and untenable as such ideas may be (say what?), the key points of Save the Congo’s analysis are ones now commonly repeated as part of the general ‘weapon of war’ narrative. Continue reading →

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Damage, Unincorporated*, Part Two: War Studies in the Shadow of the Information Bomb

13 Jul

I’m thinking about something much more important than bombs.
I am thinking about computers.

John von Neumann, 1946 (via The Scientific Way of Warfare)

Modern war has become too complex to be entrusted to the intuition of even our most trusted commander. Only our giant brains can calculate all the possibilities.

John Kemeny, 1961 (ditto)

‘Extreme science’ – the science which runs the incalculable risk of the disappearance of all science. As the tragic phenomenon of a knowledge which has suddenly become cybernetic, this techno-science becomes, then, as mass techno-culture, the agent not, as in the past, of the acceleration of history, but of the dizzying whirl of the acceleration of reality – and that to the detriment of all verisimilitude.

Paul Virilio, The Information Bomb (1998)

Non-Consensual Hallucinations

A recent spate of cyber-attacks, and the civilian-military responses to them, have pushed questions of collective violence, technological complexity and the very relation between war and peace into a more mainstream arena. Alongside diagnoses of the political impact of Web 2.0, the analysis of contemporary technoscience and its militarised uses seems less neophiliac marginalia than urgently-required research program. As previously indicated in Part One of this review, a number of recent works have broached this subject, and in the process have addressed themselves to the very relation between bios and technos, sometimes with the implication that the latter is on the verge of overwhelming the former. Skynet gone live!

Critical engagement with the boundaries and possibilities of Network-Centric Warfare (NCW) thus opens a range of complex problems relating to the co-constitution of war and society, the place of ethics in military analysis (and military practice) and the adequacy of standard categories of social science to world-changing inventions. To expect answers to such broad questions is perhaps to overburden with expectation. Yet it is interesting to find that both Guha and (Antoine) Bousquet, who are most concerned with the radical newness of contemporary war, implicitly operate within a rather traditional understanding of its boundaries. For both, ‘war’ means the restricted arena of battlespace, and in particular that battlespace as viewed by the soldiers and generals of the United States of America.

James Der Derian is intrigued by many of the same questions, but his view is more expansive, and his diagnosis of the connection between NCW and international politics generally more comprehensive. Continue reading →

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Race, Gender and Nation in ‘Game Of Thrones’ (2011)

21 Jun

Mostly garlanded by images poached from Winter Is Coming, Bitches. Also, *spoiler alert*. And now subject to discussion in a critical post by Charli Carpenter over at Duck Of Minerva.

At first sight, Game Of Thrones offers something rather different to the standard fantasy fare. Where Lord Of The Rings and its ilk deal in arch dialogue and grand quests, it provides a more gritty and twisted landscape, peopled with dwarves, bastards, spoilt brats, noblewomen who still breast-feed their near-pubescent sons, eunuchs, exiled criminals and incestuous twins. In one conversation, Baelish and Varys even discuss a Lord who enjoys sex with beautiful cadavers (fresh ones only). A fantasy not only of palaces and mystical objects, but also of the gutter.

There is a near-scandalous thrill to this aesthetic realism, especially when measured alongside the allegoral formality of The Chronicles Of Narnia or the cinematic marathons derived from Tolkien’s high Toryism. Where those source materials and corporate cinema required that sexuality be wrapped in chaste folds and circumvented as the higher union of pure love, Game Of Thrones can indulge lust, rutting and the explicit mention of rape. There’s even talk of homosexuality (although not for any of the linchpin characters with whom we are expected to identify). Bared breasts are the order of the day. Childhood tales filtered by HBO.

But this apparent radicality doesn’t go very deep, and in significant ways covers for a narrative saturated with race-thought and misogyny. Continue reading →

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Men In High Castles: The Politics of Speculative Fiction in International Relations

26 Feb

(Man, one assumes, is the proper study of Mankind. Years ago we were all cave Men. Then there is Java Man and the future of Man and the values of Western Man and existential Man and economic Man and Freudian Man and the Man in the moon and modern Man and eighteenth-century Man and too many Mans to count or look at or believe. There is Mankind. An eerie twinge of laughter garlands these paradoxes. For years I have been saying Let me in, Love me, Approve me, Define me, Regulate me, Validate me, Support me. Now I say Move over. If we are all Mankind, it follows to my interested and righteous and rightnow very bright and beady little eyes, that I too am a Man and not a Women, for honestly now, whoever heard of Java Woman and existential Woman and the values of Western Woman and scientific Woman and the alienated nineteenth-century Woman and all the rest of that dingy and antiquated rag-bag? All the rags in it are White, anyway. I think I am a Man; I think you had better call me a Man; I think you will write about me as a Man from now on and speak of me as a Man and employ me as a Man and treat me as a Man until it enters your muddled, terrified, preposterous, nine-tenths-fake, loveless, papier-mâché-bull-moose head that I am a man. (And you are a woman.) That’s the whole secret. Stop hugging Moses’ tablets to your chest, nitwit; you’ll cave in. Give me your Linus blanket, child. Listen to the female man. If you don’t, by God and all the Saints, I’ll break your neck.)

Joanna Russ, The Female Man (1975)

The wordless histories of walking, dress, housing, or cooking shape neighbourhoods on behalf of absences; they trace out memories that no longer have a place… They insinuate different spaces into cafés, offices, and  buildings. To the visible city they add those ‘invisible’ cities about which Calvino wrote. With the vocabulary of objects and well-known words, they create another dimension, in turn fantastical and delinquent, fearful and legitimating.

Michel de Certeau, Heterologies (1986), cited in Carolyn Nordstrom, Shadows 0f War

In ‘A Scanner Darkly’, as in ‘The Spy Who Came in from the Cold’,  all intersubjective relations devolve into webs of suspicion and betrayal. It goes with the territory, and the territory is nowhere – an existential East Berlin where everything you do has to be deniable. You’re guided by the grim categorical imperative which agents ignore at their peril: act as if the person to whom you are talking to will sell you out. If they haven’t fucked you over yet, just wait… If they don’t fuck you over, you’ll do it to yourself… Before long, you split in two, like Arctor, and then there’s no way back (all the king’s horses and all the king’s men … ). But total mental breakdown is the best cover of all (‘they can’t interrogate something, someone, who doesn’t have a mind’). Double agents, double lives, shivering on street corners, not sure if you’re the Man or waiting for the Man, but you’re always waiting… Cold war and junkie Cold, cold efficiency (‘I am warm on the outside, what people see. Warm eyes, warm face, warm fucking fake smile, but inside I am cold all the time, and full of lies’), the duplicities and self-deceptions of the addict doubling those of the spy in deep cover.

Mark Fisher, ‘Mors Ontologica’

Social reality is lived social relations, our most important political construction, a world-changing fiction. The international women’s movements have constructed ‘women’s experience’, as well as uncovered or discovered this crucial collective object. This experience is a fiction and fact of the most crucial, political kind. Liberation rests on the construction of the consciousness, the imaginative apprehension, of oppression, and so of possibility. The cyborg is a matter of fiction and lived experience that changes what counts as women’s experience in the late twentieth century. This is a struggle over life and death, but the boundary between science fiction and social reality is an optical illusion.

Donna Haraway, ‘A Cyborg Manifesto’ (1991)

These extracted sentiments cast a weird light on some recent examinations of Science Fiction and international politics. An emergent sub-sub-field its own right, the interface of SF and IR at first sight signifies the expanding openness of the discipline to the hitherto forbidden joys of aesthetics and culture [1]. Yet, despite nods to various low-political concerns, the more obvious, and better-worn, link between this social science and that culture is to trace a commonality of geo-political units and event cycles. Space opera empires, inter-galactic wars and cross-species diplomacy order the day in a game of analogues.

This incipient tendency indicates a rather different path than that suggested by the self-image of the cultural turn. Continue reading →

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