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How is Rape a Weapon of War?

13 Feb

This post summarises a piece for the European Journal of International Relations just published online. An inconsequentially different pre-publication version is also available for anyone unable to breach the pay wall.

UPDATE (8 March): Sage have kindly made the full EJIR paper open access until early April, so you can now get it directly that way too.

I’m sure you have reasons
A rational defence
Weapons and motives
Bloody fingerprints
But I can’t help thinking
It’s still all disease.

Fugazi, ‘Argument’ (2001)

‘Weapon of War’ could be many explanations and I’m not sure of any of them.

UNHCR official, Goma, Democratic Republic of Congo, June 2010

1. War Rape in the Feminist Imaginary

Rape is a weapon of war. Such is the refrain of practically all contemporary academic research, political advocacy and media reporting on wartime sexual violence. Once considered firmly outside the remit of foreign policy, rape is today labelled as a ‘tactic of war’ by US Secretaries of State who pledge to eradicate it and acknowledged as a war crime and constituent act of genocide at the highest levels of international law and global governance, a development which for some amounts to the ‘international criminalization of rape’. This idea of rape as a weapon of war has a distinctly feminist heritage. Opposed to the historical placement of gendered violence within the hidden realm of the private, feminist scholarship was the first to draw out the connections between sexual violence and the history of war, just as feminists fought to make rape in times of nominal peace a matter for public concern. Feminist academics have, then, pioneered a view of sexual violence as a form of social power characterised by the operations and dynamics of gender. Sexual violence under feminist inquiry is thus politicised, and forced into the public sphere.

But the consensus that rape is a weapon of war obscures important, and frequently unacknowledged, differences in our ways of understanding and explaining it. Continue reading →

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Figure/Ground Interview

31 Dec

For anyone who’s interested, there’s an interview with me over at the Figure/Ground Communication site. It touches on a few topics such as the changing nature of the university, the technological shifts in teaching, and some thoughts on the philosophical movement of speculative realism. Many thanks to Laureano Ralon for the generous opportunity as well.

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Rewriting International Relations

15 Nov

A small cascade of Millennium-related news and IR from Elsewhere. First, our very own Nick was recently elected as Co-Editor (with Edmund H. Arghand and Maria Fotou) to oversee the journal for Volume 41 (2012-2013) on the basis of a conference proposal on ‘Materialism and World Politics’ (full CfP details forthcoming soon). Second, the Millennium blog has had a facelift (ongoing tweaks to be made to its façade), so go have a look.

Third, and perhaps most importantly, the Northedge Essay Competition is now open. So if you’re a post-graduate student (PhD or advanced Masters) in IR or cognate fields, and you have some exceptional work lying fallow, spruce it up and submit. The deadline is 30 January 2012, and the winning essay will appear in Millennium 41(1). Previous winners have been very good indeed.

Fifth, the journal’s social media tentacles are growing, so do the following thing on Twitter and the liking thing on Facebook, if you are of that bent. Finally, a reminder that Millennium‘s weekly Editorial Board meetings are open to all LSE postgraduates (MSc and PhD) who are engaged and interested. If you fit that description and for some reason aren’t already involved, do email the Editors for details.

Elsewhere, BISA’s Historical Sociology and IR Working Group also has a new look, and a particularly awesome and growing resources page. And there’s now an Occupy IR Theory blog and associated hashtag (#occupyirtheory, natch), which is worth both a virtual engagement and a flesh-world contribution. Similarly, if for any reason you are unaware of David Campbell’s blog on visual culture and international politics, rectify yourselves!

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The Disorder Of Things Is One!

5 Oct

Thank you for your custom. Image from Awkward Family Photos.

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Housekeeping

5 Sep

UPDATE (6 September): Also, you can now read us simply by going to http://thedisorderofthings.com, although the old address will also work just fine. Pass it on. Pay it forward.

Inordinate excitement at Disorder HQ over some minor tweaks to our shiny façade. Regulars (we know you exist) will notice that the banner is now clickable and takes you back to the front page, that the posts are slightly wider (allowing us to back even more juicy intellectual content into your field of vision), and that a random dance of chance now determines the banner image.

The images, obviously bursting with detail and meaning on several levels, have been cropped and borrowed from: Diego Rivera (Man At The Crossroads/Man, Controller Of The Universe, 1933-1934), Gerard ter Borch (The Ratification Of The Treaty Of Münster, 1648), Jean-Michel Basquiat (Native Carrying Some Guns, Bibles, Amorites On Safari, 1982), Kent Monkman (The Triumph Of Mischief, 2007) (hat-tip to Propagandhi), Pieter Bruegel (The Triumph Of Death, 1562-ish), Emmanuel Leutze (The Storming Of The Teocalli, 1848), Ron English (Graveyard Guernica, 2011), MacDonald ‘Max’ Gill (Highways Of Empire, 1927) and Jack Kirby (Captain America Comics #1, 1941, with Joe Simon). More may follow.

We trust this will all work perfectly, but let us know if not.

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Dr Hoover, I Presume?

6 May

Disordered congratulations are in order. Yesterday, following a few hours of rigorous questioning by Anne Phillips and David Owen, our very own Joe was awarded the title of Doctor of Philosophy from LSE for his thesis: Reconstructing Human Rights: A Pragmatic and Pluralist Inquiry in Global Ethics. No corrections. We’ll do our best to get him to tell us all about it soon.

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Symposium: Rethinking Masculinity

12 Apr

UPDATE (19 April): I’ve just received confirmation that a proposal based on this Symposium has been accepted as a Special Issue for the International Feminist Journal of Politics. All papers will be peer-reviewed. Papers not presented at the Symposium will not only be welcome but are actively encouraged. The deadline for first drafts is likely to be in August 2011 for eventual publication in 2012. Further details to follow…

A call for participation in a one-day Symposium at LSE I’ve been involved in organising. It’s taking place in just over three weeks and promises to be very productive and, yes, exciting. Thanks to some funding, places are free, but do email me if you want to come so we can get a sense of numbers for food. There will also doubtless be continuing discussion afterwards. Please distribute widely.

Rethinking Masculinity & Practices of Violence in Conflict Settings

Thursday 5 May 2011

Room Clem.D702, Clement House (on Aldwych), London School of Economics & Political Science

Keynote: Professor Cynthia Cockburn (City University and University of Warwick)

Sponsored by the British International Studies Association Gender IR Working Group, the LSE Department of International Relations and the LSE Gender Institute.

Thinking about masculinity, maleness and men has always had a place in the interdisciplinary fields of feminist, queer and gender studies. Discussion and debate about the relevance of masculinity as a shifting concept has recently been further developed in the fields of politics and International Relations (IR) where scholars have explicitly tried to address women’s experiences in relation to the persistence of the ‘man question’.

Despite this, masculinity in international politics remains somewhat amorphous. Research has tended to be disconnected, addressing particular wars or media events, rather than masculinity as an organising concept or its role across space and time in its historically variable forms. This symposium (and a proposed journal Special Issue arising from it) therefore seeks to extend and deepen work on the conceptual character and concrete forms taken by masculinity through the lens of violence and conflict settings.

Continue reading →

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The Qaddafi Controversy

29 Mar

Saif Gaddafi (PhD, LSE, 2008) has lost a lot of friends recently. Even Mariah Carey is embarrassed by him now. The institution to which I have some personal and professional attachment is implicated in a number of intellectual crimes and misdemeanours, as may be a swathe of research on democracy itself. Investigations are under way, by bodies both official and unofficial. All of this now feels faintly old-hat (how much has happened in the last month?), even rather distasteful given the high politics and national destinies currently in the balance. So let the defence be pre-emptive: the academy has political uses, and those with some stake in it need feel no shame in discussing that. If crises are to be opportunities, let us at least attempt to respond to them with clarity and coherence. After all, our efforts are much more likely to matter here than in self-serving postures as the shapers of global destiny.

Saif’s academic predicament is both a substantive issue in its own right and a symptom. As substance, there is now a conversation of sorts around complicity and blame. Over the last weeks, David Held has appealed for calm and attempted a fuller justification of his mentorship (Held was not the thesis supervisor and Saif was not even a research student in his Department at the time, although he, um, “met with him every two or three months, sometimes more frequently, as I would with any PhD student who came to me for advice”). Most fundamentally, it was not naivety but a cautious realism based on material evidence that led a pre-eminent theorist of democracy to enter into what we could not unreasonably call ‘constructive engagement’. [1]

Held characterises the resistance of Fred Halliday to all this as reflecting his view that “in essence, [Saif] was always just a Gaddafi”, which of course makes him sound like someone in thrall to a geneticist theory of dictatorship. The actual objection was somewhat more measured, and, if only ‘in retrospect’, entirely astute:

Continue reading →

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International Relations versus Punk Rock (Slight Return)

22 Dec

Nothing could compromise a joint blog project more than disagreement over music. Luckily, this much-delayed follow-up to Joe’s sonic assault on global politics gets to play the role of supplement and supplicant, and not that of adversary. And no, it’s not bloody Christmas-themed.

Nobody was as fully aware of the properly traumatic dimension of the human voice, the human voice not as the sublime, ethereal medium for expressing the depth of human subjectivity, but the human voice as a foreign intruder, nobody was more aware of this than Charlie Chaplin [in The Great Dictator]…Silent figures are basically like figures in cartoons, they don’t know death, they don’t know sexuality even, they don’t know suffering, they just go on in their oral egotistic striving, like cats and mouse in a cartoon: you cut them into pieces, they’re reconstituted. There is no finitude, there is no mortality here. There is evil, but a kind of a naïve, good evil, you are just egotistical, you want to compete, you want to hit the other, but there is no guilt proper. What we get with sound is interiority, depth, guilt, pulpability, in other words the complex oedipal universe. The problem of the film is not only the political problem, how to get rid of totalitarianism, of its terrible seductive power, but it is also this more formal problem, how to get rid of this terrifying dimension of the voice. Or, since we cannot get rid of it, how to domesticate it, how to transform this voice nonetheless into the means of expressing humanity, love, and so on…

[Chaplin's character] delivers his big speech about the need of love, understanding between people, but there is a catch, even a double catch: people applaud exactly in the same way as they were applauding Hitler. The music that accompanies this great humanist finale, the overture to Wagner’s opera Lohenngrin is the same music as the one we hear when Hitler is daydreaming about conquering the entire world and where he has a balloon in the shape of the globe, the music is the same. This can be read as the ultimate redemption of music, that the same music which served evil purposes can be redeemed to served the good, or it can be read – and I think it should be read – in a much more ambiguous way, that with music we cannot ever be sure, insofar as it externalises our inner passion music is always potentially a threat.

Slavoj Žižek, The Pervert’s Guide To Cinema

We humans are a musical species no less than a linguistic one.

Oliver Sacks, Musicophilia: Tales of Music and the Brain

1. Fugazi, ‘Smallpox Champion’, In On The Kill Taker (1993)

Smallpox champion, U S of A
Give natives some blankets
Warm like the grave
This is the pattern cut from the cloth
This is the pattern designed to take you right out, right out, right out
This is the frontier with winter’s so cold
Greed informs action where action makes bold
To take all the cotton that’s cut from the stalk
Weave the disease that’s gonna take you right out, right out, right out
What is good for the future what was good for the past
What is good for the future…won’t last
Bury your heart U S of A
History rears up to spit in your face
You saw what you wanted
You took what you saw
We know how you got it
Your method equals wipe out, wipe out, wipe out
The end of the frontier and all that you own
Under the blankets of all that you’ve done
Memory serves us to serve you
Yet memory serves us to never let you wipe out, wipe out, wipe out
Cha-cha-cha-champion
You’ll get yours
Wipe out

2. Ani Difranco, ‘Fuel’, Little Plastic Castle (1998)

Continue reading →

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International Relations versus Punk Rock

17 Nov

Today I was re-reading a piece by Kevin Dunn, “Never mind the bollocks: the punk rock politics of global communication,” and it lead me to wonder how far one’s route into the study of world politics affects how one perceives the “object” of inquiry. Dunn starts out by stating:

I am increasingly concerned about the ways that International Relations (IR) as a discipline seems unable to communicate to everyday citizens about issues of tremendous importance. I am repeatedly struck by our inability to speak to the people whose lives are affected daily by the issues we are supposed to be studying. More importantly, I am struck by how irrelevant we and our work can seem to the world’s population.

In 2003, I grappled quite openly and vocally with this alienation. The annual International Studies Association (ISA) Conference was being held in Portland, Oregon that year. Throughout the hallowed halls of the soul-numbing conference hotel, the discipline of IR was displaying its strengths and weaknesses. The US and its ‘ coalition of the willing’ were on the verge of invading Iraq. But within the ISA, there was little attempt to grapple with what this meant. My few attempts to stage some form of protest and intellectual outrage proved heart-warming but ineffectual. Then, at the end of the week, I went to a punk club a few blocks from the hotel to see a Joe Strummer tribute show. Joe Strummer, the frontman for the Clash, had died suddenly a few months before, and now over twenty bands from all over the region were coming together to play a benefit show. Each band performed two or three Clash songs; one band getting up after the other, sharing amps and a drum set. On stage, the bands were using the songs to make sense of the dangerous world we all found ourselves in. The in-between song banter reflected this – comments about President George W. Bush, remarks about American fascism, concerns about the impending war on Iraq, and pleas to register to vote. The kids in the club were using the Clash and punk rock, much as I did years before, to help them understand the world they were inheriting. While the discipline of IR pontificated down the street to itself about world affairs, I swirled in the mosh pit wondering: what relevance did I and the ISA have to these kids? Sadly, it seemed to me that we as a discipline were doing a poor job communicating with most of the people outside that conference hotel.

Leaving aside Dunn’s very interesting analysis of punk rock’s role as a form of counter-hegemonic global communication and subversive political message, the opening lines resonated in a profound way for me, as I share Dunn’s experience of punk music providing a frame for engaging with world politics. This leads me to the question: how does our route into the study of world politics affect our work? Continue reading →

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