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The Crisis of Europe and Colonial Amnesia

28 May

Recent commentary on the Eurozone crisis has started to pick up the grammar of colonial rule. The centre for Research on Finance and Money at SOAS, for example, has published an influential report wherein northern Europe (Germany especially) is framed as the core and southern Europe (especially Greece) as the periphery. Meanwhile, Ulrich Beck, European cosmopolitan par excellence, wonders whether the European Union will become “a European Empire with a German stamp”. Beck notes that Merkel’s sense of power “conforms to the imperial difference between lender and borrower countries.” At stake, agree many prominent European intellectuals in the pages of The Guardian, Eurozine and Der Spiegel, is no less than the promise of freedom and democracy immanent to the European project itself. All variously agree that, against the imperial sclerosis spread by capitalist and bureaucratic functionaries at the highest levels of governance, what is needed is a rejuvenation of meaningful democracy at a grass-roots level.

Faced with a dismantling of democracy Jürgen Habermas mounts a plea to save the old “biotope of Europe”. The constitutive components of this threatened ecosystem are freedom and democratisation, and its genesis lies in the Second World War and the fight against fascism and “internal” barbarism. The president of the European Central Bank has himself proclaimed that Europe now faces its “most difficult situation since the Second World War”. Alternatively, for many social democratic and leftist commentators, the danger of the situation lies in the loss of the “internal” struggle of labour and capital that defined the Cold War landscape. In the new context of EU institutional “empire” and its neoliberal tentacles, the defeat of labour quickens the erosion of social democracy, thus deciding the fate of the European project.

Europe, then, is perceived to be “colonizing” itself and in the process destroying freedoms and democratic structures that had been hard fought for by the general populace against political oppression and economic exploitation. But this angst-ridden imaginary of European crisis has very little to say about the substantive historical and global dimensions of European colonialism. Does cosmopolitan and social democratic angst cover these legacies and contemporary effects? In fact, in most recent treatises on the crisis the struggle for decolonization is given no integral status, even though these particular struggles were inseparable to and spanned the formative time period of the European project – the Second World War (and the Cold War). Some do mention current issues of migration and xenophobia. Nevertheless the implication, in general, is that colonial legacies are derivative of, or additional to, the core struggle for democracy and freedom in Europe. Fascism, Cold War, class struggle: yes; colonization, imperialism, decolonization and liberation struggle: not really.

Not all intellectuals suffer from this colonial amnesia. A number of scholars including Robert Young, Pal Ahluwalia, Paige Arthur and Alina Sajed have argued that in some key strands of post-War French thought, the issue of colonialism and decolonization was integral to discussions of European re-democratization and humanist concerns. This engagement reached a peak in the Algerian war of independence in the late 50s before falling into abeyance. And this was precisely the same time, we should note, as the Treaty of Rome, which bound European countries together in a tighter economic union simultaneoulsy sought to re-bind (post-)colonial African polities, peoples and resources into this union.

More generally, there has accumulated a significant amount of scholarship that reveals the colonial influences that shaped and were woven into quintessentially “European” intellectual/political movements such as Enlightenment and modernity. Continue reading 

‘Our Retrospective Abhorrence’; Or, ‘Jerry Building’ (1994)

6 May

Jonathan Meades‘ incisive, irreverent, sweeping, often hilarious and somehow majestic account of the forms of Nazism (architectural, political, libidinal), criminally unavailable on DVD. Presented here in full lo-fi glory. One of the best docu-arguments ever committed to celluloid. You’re very welcome.

Dr Roccu, I Presume?

6 Mar

The second of us to achieve doctorhood since the inception of The Disorder Of Things, our very own Roberto this afternoon survived interrogation by Charles Tripp and Toby Dodge to become a fully certified Doctor of Philosophy in International Relations. His thesis being entitled Gramsci in Cairo: Neoliberal Authoritarianism, Passive Revolution and Failed Hegemony in Mubarak’s Egypt, 1991-2010. Timely and on trend, awarded sans corrections.

Book launch: A Liberal Peace?

6 Feb

Tuesday 14th February 2012, 5.30pm-7.00pm

Westminster Forum, 5th Floor, Department of Politics and International Relations, University of Westminster, 32-38 Wells Street, London W1 (nearest tube Oxford Circus)

Panel with Editors David Chandler and Meera Sabaratnam, followed by publisher’s reception

All welcome

The 1990s was a weird decade for all kinds of reasons. The dice that were thrown into the air as the Soviet Union retreated landed in a particularly intriguing configuration for those politicians, public functionaries and academics from wealthy countries and institutions concerned with ‘peace’ and ‘development’. Their missions, marginalised for decades under concerns for national (i.e. military) security, were quite suddenly elevated as symbols of the new world order and installed as defining foreign policy priorities of wealthy states. Continue reading 

Body Politics: Corporeal Suffering, Memes and Power/Resistance, with Special Reference to #Occupy, Tahrir Square, ‘Hunger’ (2008) and Rage Against The Machine

23 Nov

*some extremely disturbing images ahead* (and some humorous deployments of Impressionism and Leonardo DiCaprio).


Two weeks ago, Karin Fierke presented a paper at our theory workshop on self-immolation as speech act (part of a forthcoming book entitled The Warden’s Dilemma: Self-Sacrifice, Agency and Emotion in Global Politics with Cambridge University Press). She focused principally on Thich Quang Duc, the South Vietnamese Buddhist monk who set himself alight and burned to death, silent and still, in Saigon in June of 1963, and on Norman Morrison, an American Quaker who copied Duc’s example in November 1965 by combusting his own flesh outside the Pentagon office of Robert McNamara, then the United States Secretary of Defence implementing Operation Rolling Thunder, the rain of fire which infamously unleashed a greater tonnage of bombs on Vietnams North and South than the total dispatched during the entirety of the Second World War.

This mimesis, an affinity not only of form but also of sacrificial politics, was cited as a mechanism for rupturing the symbolic order. Both Duc and Morrison engaged in a corporeal self-violence so forceful that it not only offended senses, but in fact extended a certain community. An act, substituting for speech, argument or manifesto, which forced itself on high politics and forged an international sensibility until that point lacking. One more contemporary dimension of that imitation and repetition is that many must have encountered the image the same way I did, which was via the front cover of Rage Against The Machine’s pugnacious, convulsively political eponymous debut in 1992. And not just the image, but a vague sense of the story imparted by sleeve notes (and lyrics today associated both with opposition to the media grip of Simon Cowell and with visions of the riotous encounter).

Self-immolation persists in a certain tradition of struggle, but the relevance of these themes – the body, sacrifice, the edifice of politics and protest, the circulation of images – has coalesced potently in the wake of recent events (on which more in a moment). Continue reading 

Nothing Is Authentic Anymore: Disavowed Selves and the Lure of Realpolitik in ‘Tinker, Tailor, Soldier, Spy’ (2011) and ‘In The Loop’ (2009)

21 Sep

Know this: *great clunking spoilers ahead*.


The critical praise heaped on Tomas Alfredson’s version of Tinker, Tailor, Soldier, Spy reflects more than the hunger of intelligent audiences for post-Inception thrillers. Nor can it be explained merely by the excessive parade of grand thesps (Benedict Cumberbatch and the under-rated Stephen Graham both wasted, the former with a sub-Sherlock performance and the latter with a paper-thin bit-part, given historical fidelity by bad hair alone). Its visual and affective qualities are seductive and occasionally beautiful, but then so is its submerged vision of espionage and realpolitik.

The antithesis of Bond and Bourne, Tinker, Tailor offers up the almost forgotten Cold War as the stage for its intrigues. Although the voices are softer and the principals older, there is a more deadly game afoot. As Kermode comments, there will be large swathes of the audience who don’t know the political context at all. Not that it matters, since the detail (Hungary, the parallels with Guy Burgess, Anthony Blunt et al.) are but window-dressing for the appeal of George Smiley (silent, menacing, magnificent Gary Oldman). Contra the brashness of post-9/11 global political allegory-fictions, we are gently ushered into an epic game of chess, played by men. Men whose tools are wit, logic and cunning. Men from an analog age who use little pieces of card to alert them to potential break-ins.

Our contemporary operatives, even those of clear intellect and cunning are, like Bob Barnes in Syriana, always eventually compelled to revert to Hollywood expectations (explosions, gun fights, fisticuffs) to bring matters to their appropriate climax. Not in Tinker, Tailor. At one stage Smiley and co. require small handguns but, although drawn, they are never used. Barring the quasi-orgasmic final exchange between Bill Haydon and Jim Prideaux, our other vivid encounters with slaughter and disembowelment are after the fact, still, frozen scenes, crowned by flies. As if painted by Goya. We gulp and turn away, but what beautiful mutilations!

Continue reading 

And there will be the most beautiful silence never heard

4 Sep

Dinosauria, We

Born like this
Into this
As the chalk faces smile
As Mrs. Death laughs
As the elevators break
As political landscapes dissolve
As the supermarket bag boy holds a college degree
As the oily fish spit out their oily prey
As the sun is masked
We are
Born like this
Into this
Into these carefully mad wars
Into the sight of broken factory windows of emptiness
Into bars where people no longer speak to each other
Into fist fights that end as shootings and knifings
Continue reading 

Looking Beyond Spring for the Season: Echoes of Time Before Tahrir Square

16 Aug

This is the fifth and last part in a series of posts from Siba Grovogui, Professor of International Relations and Political Theory at John Hopkins University. The first part is here; the second here; the third here; the fourth here. The series considers the character and dimensions of the tension between the African Union and ‘the West’ over interventions in Africa. As before, responsibility for visuals adheres solely to Pablo K.


It would be disingenuous to relate events in North Africa and the Middle East (or MENA) today without reference to the media. Here too, there are many possible angles to examine. I will focus on the institutional support that the media provide in shaping consensus in support of foreign policy. In this regard, so-called mainstream Western media and networks (BBC, CNN, Fox, RFI and the like) have played a significant role in generating domestic support for the Libyan campaign. The media find themselves in the contradictory positions of both providing sustenance to foreign policy rationales and reporting on government actions. In this role the media either wittingly or unwittingly assumed the position of justifying contradictory Western foreign policy aims while trying to satisfy the needs of their audiences (especially domestic constituencies and home governments) for information from the front. Consistently, the media often generate sympathy for foreign actors or entities that either support Western interests or have affinities for Western values.

This role is not without a cost, especially when foreign policy actions, including wars, fail to attain their objectives. When the outcome of foreign policy proves disastrous, Western media also have an inexhaustible capacity to either ignore their prior support for the underlying causes or to reposition themselves as mere commentators on events over which they had no control or could not prevent. Increasingly, these tendencies have spread around the world as evidenced in the techniques and styles that have propelled the Qatari-based Al Jazeera into prominence as key contender in the emergent game of production, circulation, and consumption of foreign policy-concordant images for their affective and ideological effects.

So it is not surprising that the backdrop and background scenarios for most reporting on the 2011 revolts in MENA are dimensions of Orientalism, of which they are many. But the most constant is one of autocratic ‘barbarism’. In this regard, the discourses and media techniques for creating and supporting sympathetic figures are just as constant (or invariable) as Western states rationales for intervention. The media-hyped stories of Oriental despotism that preceded Operation Desert Storm, when the US expelled Iraq from Kuwait, have provided the template. During that event, for instance, media feted their viewers with stories of invading Iraqi hordes storming through hospital only to disconnect incubators and let helpless infants die a slow death. These and many stories of heroic bids by US soldiers to prevent such barbarism were later discredited but not the other horrific stories which convinced US citizens of the need to wage war on Saddam Hussein’s occupying army. In the Libyan case today, one of the earlier images of the aura of impunity created by Gaddafi was that of a Libyan female lawyer who was allegedly raped by Gaddafi’s forces. There was also a reported event of military takeover of a hospital.

Continue reading 

Primitive Accumulation; Or, A Virtual Read-In on the London Riots

14 Aug

The blogosphere has a million corners, countless nooks and several large echo-chambers, complete with their own centres of self-congratulatory gravity. All have been aflame over the last week, saturating events, riots and insurgencies with the weight of historical expectation, the political memory of past iteration and the awesome condescension of easy interpretation. Gaps persist: gender and the dynamics of formally opposed masculinities have escaped all but the most cursory attention. It is one paradox of all this profuse commentary that decrying the statements and manifestos of others is the most satisfying and patronising manifesto of all. At its worst, it engages in the fullest of narcissisms (let’s make this about us and the quality of our analysis) whilst proudly displaying its contempt for thought (now is not the time for theory!). And of course, the problems and challenges are real. Much more real than we can face, too real for the sordid postures of moralising (I denounce Satan and all his works!) and liable to stay as real once we paper over them and return to our default settings.

Oh, and I find myself in unsurprising agreement with Joe and Meera (although I think Ken Livingstone’s attempts to make the link to cuts and social marginalisation is more ham-fisted than shameful). Which is all by way of introduction. There are reams to be written on the way the punditocracy and assorted commentariat are deploying (and misapplying) categories of cause, the unstable and multiple uses made of ‘politics’, the questions of historical precedent and historical return, and on and on. Exhaustion at the war of position prevents any such post. Instead, a mix-tape of diagnosis and critique, with both the smooth joins and the subtle dissonances that implies. More useful than a 1,000 faux-fresh words.

—————–

These looters are doing what they’re supposed to; grabbing the goods they see in the shops and can’t buy in a recession. They loot the bling – the sports shoes, gold watches, mobile phones and plasma TVs; and you can recognize the very poor when you see a woman looting potatoes from a corner shop. These acquisitive looters are certainly copying the gold standard of a social contract eroded by and evaporating with the money. These are riots in the cause of consumer goods. Burning and robbing other people’s things is one thing, but soon enough, and with no social cause or justice worth the name, people too become indistinguishable from things: witness the widely-circulated photo of the woman leaping for her life from a burning building; such potential deaths still threaten to bring the house down on top of us. This whole distressing episode began with the police shooting dead a black man in north London they said was a gunman; no evidence he fired a shot, we’re told, but the man was already indistinguishable from his gun.

Gabriel Gbadamosi, ‘The Blazing Light In August’

Continue reading 

Looking Beyond Spring for the Season: Democratic and Non-Democratic Cultures

13 Aug

This is the fourth part in a series of five posts from Siba Grovogui, Professor of International Relations and Political Theory at John Hopkins University. The first part is here; the second here; the third here. The series considers the character and dimensions of the tension between the African Union and ‘the West’ over interventions in Africa. As before, responsibility for visuals adheres solely to Pablo K.


It is not accurate to say that the African Union has been indifferent to the conflict in Libya. If there has been silence in Africa, it has to do with the extent to which the ‘maverick’ Colonel (Gaddafi) has angered some of his peers over the years by interfering in the affairs of such states as Nigeria, Liberia, Burkina Faso, Sierra Leone and others, with disastrous effects. Even when, as in Sudan and Uganda, officeholders have welcomed his entreaties, large segments of the populations have not appreciated them. Yet, regardless of their personal views of Gaddafi and their political differences with him, African elites and populations have yearned for a more positive, conciliatory, and participatory solution to outright regime change or the removal of Gaddafi preferred by the West. This variance, I surmise, comes from a positive understanding of postcoloniality that include forgiveness, solidarity, and democracy and justice, as exhibited in post-apartheid South Africa and post-conflict Liberia, Angola, Mozambique, and the like.

In opting for negotiated mediation and a new constitutional compact, therefore, the African Union (or AU) aimed to foster a different kind of politics in Libya – admittedly one that has escaped many of the states endorsing that position. As articulated by Jean Ping, the Secretary General of the AU, the Libyan crisis offered an opportunity “to enhance a self-nourishing relationship between authority, accountability and responsibility” in order to “reconstitute African politics from being a zero sum to a positive sum game” toward one “characterized by reciprocal behavior and legitimate relations between the governors and the governed.” Mr. Ping added two other dimensions to his vision. The first is an acknowledgement that events in Libya point to the fact that all Africans “yearn for liberty and equality’ and this yearning is “something more consequential than big and strong men.” The second is that Africa’s destiny should be shaped by Africans themselves based on an actualized “sense of common identity based, not on the narrow lenses of state, race or religion, but constructed on Africa’s belief in democracy, good governance and unity as the most viable option to mediate, reconcile and accommodate our individual and collective interests.”

Coming from a politician, these words may read like slogans. But the uniform refusal of the AU to endorse Western intervention tells another story. Continue reading 

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